The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

▶ CD 1: Chamber
▶ CD 2: Chamber
▶ CD 3: Chamber
▶ CD 4: Chamber
▶ CD 5: Chamber
▶ CD 6: Chamber
▶ CD 7: Chamber
▶ CD 8: Chamber
▶ CD 9: Chamber
▶ CD 10: Chamber
▶ CD 11: Chamber
▶ CD 12: Chamber
▶ CD 13: Chamber
▶ CD 14: Chamber
▶ CD 15: Chamber
▶ CD 16: Chamber
▶ CD 17: Chamber
▶ CD 18: Chamber
▶ CD 19: Chamber
▶ CD 20: Chamber
▶ CD 21: Chamber
▶ CD 22: Chamber
▶ CD 23: Chamber
▶ CD 24: Chamber
▶ CD 25: Chamber
▶ CD 26: Chamber
▶ CD 27: Chamber
▶ CD 28: Chamber
▶ CD 29: Chamber
▶ CD 30: Chamber
▶ CD 31: Chamber
▶ CD 32: Chamber
▶ CD 33: Chamber
▶ CD 34: Chamber
▶ CD 35: Chamber
▶ CD 36: Chamber
▶ CD 37: Chamber
▶ CD 38: Chamber
▶ CD 39: Chamber
▶ CD 40: Chamber
▶ CD 41: Chamber
▶ CD 42: Chamber
▶ CD 43: Chamber
▶ CD 44: Chamber
▶ CD 45: Chamber
▶ CD 46: Chamber
▶ CD 47: Chamber
▶ CD 48: Chamber
▶ CD 49: Chamber
▶ CD 50: Orchestral
▶ CD 51: Orchestral
▶ CD 52: Orchestral
▶ CD 53: Orchestral
▶ CD 54: Orchestral
▶ CD 55: Orchestral
▶ CD 56: Orchestral
▶ CD 57: Orchestral
▶ CD 58: Orchestral
▶ CD 59: Orchestral
▶ CD 60: Orchestral
▶ CD 61: Orchestral
▶ CD 62: Orchestral
▶ CD 63: Orchestral
▶ CD 64: Orchestral
▶ CD 65: Orchestral
▶ CD 66: Orchestral
▶ CD 67: Orchestral
▶ CD 68: Orchestral
▶ CD 69: Orchestral
▶ CD 70: Orchestral
▶ CD 71: Orchestral
▶ CD 72: Orchestral
▶ CD 73: Orchestral
▶ CD 74: Orchestral
▶ CD 75: Orchestral
▶ CD 76: Orchestral
▶ CD 77: Orchestral
▶ CD 78: Orchestral
▶ CD 79: Orchestral
▶ CD 80: Orchestral
▶ CD 81: Orchestral
▶ CD 82: Orchestral
▶ CD 83: Orchestral
▶ CD 84: Orchestral
▶ CD 85: Orchestral
▶ CD 86: Orchestral
▶ CD 87: Orchestral
▶ CD 88: Orchestral
▶ CD 89: Orchestral
▶ CD 90: Orchestral
▶ CD 91: Orchestral
▶ CD 92: Orchestral
▶ CD 93: Orchestral
▶ CD 94: Orchestral
▶ CD 95: Orchestral
▶ CD 96: Orchestral
▶ CD 97: Orchestral
▶ CD 98: Orchestral
▶ CD 99: Orchestral
▶ CD 100: Orchestral
▶ CD 101: Orchestral
▶ CD 102: Theatre
▶ CD 103: Theatre
▶ CD 104: Theatre
▶ CD 105: Theatre
▶ CD 106: Theatre
▶ CD 107: Theatre
▶ CD 108: Theatre
▶ CD 109: Theatre
▶ CD 110: Theatre
▶ CD 111: Theatre
▶ CD 112: Theatre
▶ CD 113: Theatre
▶ CD 114: Theatre
▶ CD 115: Theatre
▶ CD 116: Theatre
▶ CD 117: Theatre
▶ CD 118: Theatre
▶ CD 119: Theatre
▶ CD 120: Theatre
▶ CD 121: Theatre
▶ CD 122: Theatre
▶ CD 123: Theatre
▶ CD 124: Theatre
▶ CD 125: Theatre
▶ CD 126: Theatre
▶ CD 127: Theatre
▶ CD 128: Theatre
▶ CD 129: Theatre
▶ CD 130: Theatre
▶ CD 131: Theatre
▶ CD 132: Theatre
▶ CD 133: Theatre
▶ CD 134: Theatre
▶ CD 135: Theatre
▶ CD 136: Theatre
▶ CD 137: Theatre
▶ CD 138: Theatre
▶ CD 139: Theatre
▶ CD 140: Theatre
▶ CD 141: Theatre
▶ CD 142: Theatre
▶ CD 143: Theatre
▶ CD 144: Theatre
▶ CD 145: Theatre
▶ CD 146: Theatre
▶ CD 147: Theatre
▶ CD 148: Theatre
▶ CD 149: Theatre
▶ CD 150: Theatre
▶ CD 151: Theatre
▶ CD 152: Theatre
▶ CD 153: Sacred
▶ CD 154: Sacred
▶ CD 155: Sacred
▶ CD 156: Sacred
▶ CD 157: Sacred
▶ CD 158: Sacred
▶ CD 159: Sacred
▶ CD 160: Sacred
▶ CD 161: Sacred
▶ CD 162: Sacred
▶ CD 163: Sacred
▶ CD 164: Sacred
▶ CD 165: Sacred
▶ CD 166: Sacred
▶ CD 167: Sacred
▶ CD 168: Sacred
▶ CD 169: Sacred
▶ CD 170: Sacred
▶ CD 171: Private
▶ CD 172: Private
▶ CD 173: Private
▶ CD 174: Fragments
▶ CD 175: Fragments
▶ CD 176: Completions
▶ CD 177: Completions
▶ CD 178: Completions
▶ CD 179: Arrangements
▶ CD 180: Arrangements
▶ CD 181: Arrangements
▶ CD 182: Arrangements
▶ CD 183: Arrangements
▶ CD 184: Arrangements
▶ CD 185: Arrangements
▶ CD 186: Arrangements
▼ CD 187: Arrangements
#TitleArtistRatingLength
1Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:07
2Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:14
3Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel0:30
4Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:59
5Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:27
6Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:00
7Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:25
8Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:30
9Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:02
10Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:44
11Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:51
12Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:57
13Das Alexander-Fest, K. 591: Part II. Recit: "Timotheus, entsag' dem Preis!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Recit: "Timotheus, entsag' dem Preis!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel0:21
14Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:29
15Ode auf St. Caecilia, K. 592: Overture
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Overture
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel6:10
16Ode auf St. Caecilia, K. 592: Recit: "Durch Harmonie"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Recit: "Durch Harmonie"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel0:19
17Ode auf St. Caecilia, K. 592: Acc. Recit: "Natur lag unter einer Last"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Acc. Recit: "Natur lag unter einer Last"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:12
18Ode auf St. Caecilia, K. 592: Chorus: "Durch Harmonie"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Durch Harmonie"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:25
19Ode auf St. Caecilia, K. 592: Aria: "Leidenschaften stillt und weckt Musik"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Leidenschaften stillt und weckt Musik"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel6:49
20Ode auf St. Caecilia, K. 592: Aria: "Trompete, dein Schmettern erweckt uns zum Streit"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Trompete, dein Schmettern erweckt uns zum Streit"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:05
21Ode auf St. Caecilia, K. 592: Chorus: "Trompete, dein Schmettern erweckt uns zum Streit"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Trompete, dein Schmettern erweckt uns zum Streit"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel1:19
22Ode auf St. Caecilia, K. 592: March
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: March
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel1:49
23Ode auf St. Caecilia, K. 592: Aria: "Der Flöte Klageton"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Der Flöte Klageton"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:55
24Ode auf St. Caecilia, K. 592: Aria: "Scharf klingt der Geigenton"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Scharf klingt der Geigenton"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:04
25Ode auf St. Caecilia, K. 592: Aria: "Doch o! wer preiset ganz"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Doch o! wer preiset ganz"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:53
26Ode auf St. Caecilia, K. 592: Aria: "Orpheus gewann ein wildes Volk"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Orpheus gewann ein wildes Volk"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:07
27Ode auf St. Caecilia, K. 592: Acc. Recit: "Doch Du, Caecilia"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Acc. Recit: "Doch Du, Caecilia"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel0:40
28Ode auf St. Caecilia, K. 592: Chorus: "Wie durch die Macht des heil'gen Sang's"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Wie durch die Macht des heil'gen Sang's"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:12
29Ode auf St. Caecilia, K. 592: Chorus: "Was tot ist lebt"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Was tot ist lebt"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:13
▶ CD 188: Self-Arrangements
▶ CD 189: Self-Arrangements
▶ CD 190: Self-Arrangements
▶ CD 191: Self-Arrangements
▶ CD 192: Self-Arrangements
▶ CD 193: Self-Arrangements
▶ CD 194: Doubtful Works
▶ CD 195: Doubtful Works
▶ CD 196: Doubtful Works
▶ CD 197: Doubtful Works
▶ CD 198: Doubtful Works
▶ CD 199: Doubtful Works
▶ CD 200: Doubtful Works