| # | Title | Artist | Rating | Length |
|---|
| 1 | Sharp Dressed Man | ZZ Top | 4.55 | 4:13 |
| 2 | Here I Go Again (US version) | Whitesnake | 3.5 | 3:53 |
| 3 | Chicken Fried | Zac Brown Band | | 3:57 |
| 4 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983) and WEA International Inc. (in 1983)
- recorded at:
- SARM Studios in London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , SPZ Music, Inc. , Tremander Songs, Unforgettable Songs Ltd., Warner Bros. Music Ltd. , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell, Warner/Chappell North America Limited , エイベックス・ミュージック・パブリッシング 第7出版事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 4 | 4:29 |
| 5 | Listen to the Music | The Doobie Brothers | | 3:47 |
| 6 | Rockstar | Nickelback | 3.5 | 4:12 |
| 7 | For What It’s Worth | Buffalo Springfield | 4 | 2:37 |
| 8 | The Best (edit) | Tina Turner | 3.9 | 4:10 |
| 9 | Urgent- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Michael Fonfara and Mick Jones
- saxophone:
- Mark Rivera
- solo saxophone:
- Junior Walker
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange, Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Urgent
- lyricist and composer:
- Mick Jones
- publisher:
- Somerset Songs Publishing Inc., Fuji Pacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 4 | 4:31 |
| 10 | Semi‐Charmed Life | Third Eye Blind | 4.3 | 4:29 |
| 11 | Drive | The Cars | 4 | 3:55 |
| 12 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 4.45 | 5:21 |
| 13 | A Horse With No Name | America | 4.25 | 4:12 |
| 14 | Road Rage | Catatonia | 3.5 | 5:10 |
| 15 | Black Velvet | Alannah Myles | 4.45 | 4:47 |
| 16 | Only Wanna Be With You- assistant engineer:
- Wade Norton
- engineer, producer and mixer:
- Don Gehman
- assistant mixer:
- Liz Sroka
- acoustic guitar and percussion:
- Mark Bryan and Darius Rucker
- bass guitar, clavinet and piano:
- Dean Felber
- drums (drum set) [drums]:
- Jim "Soni" Sonefeld
- electric guitar and mandolin:
- Mark Bryan
- vocals:
- Mark Bryan, Dean Felber and Jim "Soni" Sonefeld
- recorded at:
- N.R.G. Recording Services in North Hollywood, Los Angeles, California, United States
- mixed at:
- Scream Studios in Studio City, Los Angeles, California, United States
- music video for:
- Only Wanna Be With You by Hootie & the Blowfish
- recording of:
- Only Wanna Be With You
- writer:
- Mark Bryan, Dean Felber, Darius Rucker and Jim Sonefeld
| Hootie & the Blowfish | 4 | 3:50 |
| 17 | Push | Matchbox Twenty | 3.2 | 3:58 |
| 18 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- Pop ’n’ Roll Music , Shinko Music Entertainment Co., Ltd., Universal Music Publishing, Synch Division and Universal Music–MGB Songs
| Christopher Cross | 4.15 | 4:36 |
| 19 | Feel Like Makin’ Love- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- publisher:
- Badco Music, Inc.
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music , WC Music Corp., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 4.45 | 5:15 |
| 20 | Ironic | Alanis Morissette | 3.9 | 3:46 |
| 21 | 2-4-6-8 Motorway | Tom Robinson Band | 4 | 3:17 |
| 22 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
| 23 | Slow Ride (single version) | Foghat | 4.6 | 3:57 |
| 24 | Cruisin’ Down the Highway | James Gang | | 3:15 |
| 25 | 18 and Life | Skid Row | 4.2 | 3:51 |
| 26 | Under My Wheels- assistant recording engineer:
- Joe Lopes
- recording engineer and engineer:
- Brian Christian
- executive producer:
- Jack Richardson
- producer:
- Bob Ezrin
- bass guitar:
- Dennis Dunaway
- drums (drum set):
- Neal Smith
- guitar:
- Michael Bruce , Glen Buxton and Rick Derringer
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- horn arranger and strings [string] arranger:
- Bob Ezrin
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1971) and WEA International Inc. (in 1971)
- produced for:
- Alive Enterprises and Nimbus 9 Productions, Ltd.
- recorded at:
- RCA Studios in Chicago, Illinois, United States
- recording of:
- Under My Wheels
- writer:
- Michael Bruce , Dennis Dunaway and Bob Ezrin
- publisher:
- All by Myself Publishing Company, Almo Music Corp. , Bizarre Music Co. , BMG Platinum Songs US, Boosey & Hawkes , Carlin Music Corporation, Copyright Control , EMI Blackwood Music Inc. , Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Alice Cooper | 4.15 | 2:47 |
| 27 | I Believe in a Thing Called Love | The Darkness | 4.55 | 3:38 |
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