The Big 5: Slow Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp. and Lido Music, Inc.
The Cars43:55
2How You Gonna See Me NowAlice Cooper53:55
3I’ll Stand by You
engineer:
Steve Williams (UK recording engineer aka Syco)
producer:
Ian Stanley
drums (drum set):
Jimmy Copley and J.F.T. Hood
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Adam Seymour
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music and Kobalt Publishing Ltd.
The Pretenders3.53:57
4Wrong
Novastar3:35
5Love Hurts
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton
bass guitar:
Pete Agnew
drums (drum set):
Darrell Sweet
guitar and synthesizer:
Manny Charlton
background vocals:
Pete Agnew and Darrell Sweet
lead vocals:
Dan McCafferty
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
part of:
New York Post: 100 Greatest Covers (2007) (number: 75)
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
Acuff-Rose Music Limited (UK), House of Bryant Publications (publisher; do NOT use as release label), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
Nazareth4.53:50
6Wuthering Heights
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush3:24
7Sailing
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, background vocals and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Christopher Cross4.14:12
8If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.353:54
9Nothing Compares 2 USinéad O’Connor4.355:06
10Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Tyler Music Ltd.
The Moody Blues4.254:25
11The Power of Love
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood3.855:28
12It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län, Sweden (from 1987 until 1990) and EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:17
13Classic
recording of:
Classic
lyricist and composer:
Adrian Gurvitz
publisher:
Finchley Music Corp.
Adrian Gurvitz33:39
14True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:35
15Can’t Stay Away From You
recording engineer and mixer:
Eric C. Schilling
producer:
Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist) and Rafael Vigil
vocals:
Gloria M. Estefan
arranger:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) and Joe Galdo (US drummer & percussionist)
recorded at and mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Can’t Stay Away From You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan and Miami Sound Machine3.53:59
16Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion (British progressive rock band) and Kayleigh (alternative mix) by Marillion (British progressive rock band)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas
publisher:
Charisma Music Publishing Co Ltd. and Charisma Music Publishing Ltd.
Marillion4.253:33
17I’m Yours
producer:
Martin Terefe
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008)
recording of:
I’m Yours
lyricist and composer:
Jason Mraz
publisher:
Goo Eyed Music
Jason Mraz3.854:02
18You Are the Reason
Sarah & Koen Wauters3:24
19What If
Kate Winslet4:04

Credits

Release

ASIN:DE: B00GCVVX70 [info]

Release Group

part of:The Big 5 (order: 2)