20 Classical Favorites

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Medium 1
#TitleArtistRatingLength
1Nutcracker Suite: Dance of the Reed Flutes
Пётр Ильич Чайковский2:13
2Moonlight SonataLudwig van Beethoven6:04
3Fantasy in D minor, K. 397
recording of:
Fantasia for Piano in D minor, K. 397/385g
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (original numbering) (number: 397) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 385g)
Wolfgang Amadeus Mozart4:59
4Minute Waltz in D-flat major, Op. 64 No. 1
recording of:
Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin1:49
5Also sprach Zarathustra
orchestra:
Pretoria Philharmonic Orchestra
conductor:
Maurice F. Henschel (conductor)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:23
6Prelude No. 1, BWV 846
harpsichord:
Christiane Jaccottet (harpsichord)
harpsichord [cembalo]:
Silvia Čápová (pianist)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1980 to present)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1989)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Johann Sebastian Bach2:05
7The Thieving Magpie - Overture
partial recording of:
La gazza ladra: Ouverture
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini2:59
8Carmen - Toreador
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz (musical fraudster)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:16
9The Four Seasons: Winter
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi53:34
10Messiah: Halelujah
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
RIAS Berlin Sinfonietta
conductor:
Marcus Creed (conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel33:50
11Turkish MarchWolfgang Amadeus Mozart3:33
12Für Elise
piano:
Silvia Čápová (pianist), Marián Pivka (pianist) and Dubravka Tomšič (pianist)
performer:
Dubravka Tomsic (pianist) and Christiane Jaccottet (harpsichord)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (catch-all for arrangements)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto
Ludwig van Beethoven3:00
13Swan Lake: Czardas
Пётр Ильич Чайковский2:27
14Slavonic Dance No. 1
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Royal Philharmonic Orchestra
conductor:
Alfred Scholz (musical fraudster), Frank Shipway (British conductor) and Thomas Waldham
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák3:24
15Ave Maria
choir vocals:
Sandor Czech Ensemble (possibly a choral ensemble, even if it might be another Alfred Scholz creation)
performer:
Sandor Czech Ensemble (possibly a choral ensemble, even if it might be another Alfred Scholz creation)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach2:49
16Fireworks Music: Allegro
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), Musici di San Marco (an Alfred Scholz pseudonym) and Norddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Luigi Varese (an Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:26
17Eine kleine Nachtmusik, K. 525: III. Menuetto
orchestra:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Camerata Labacensis (Slovenian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alexander von Pitamic (pseudonym for Alfred Scholz) and Alfred Scholz (musical fraudster)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:20
18The Barber of Seville - Overture
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharmonia Slavonica (an Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra, Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Anton Nanut (conductor), Rouslan Raychev (conductor) and Alfred Scholz (musical fraudster)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini47:44
19Canon in D major
Johann Pachelbel4:45
20Lohengrin - Prelude - Act III
orchestra:
Slowakische Philharmonie (Slovak Philharmonic, Bratislava)
conductor:
Bystrík Režucha (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Vorspiel
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:42