Long Train Runnin’: Rock Pop Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 Warner Music Group - X5 Music Group»

Countries excluded (Spotify + Deezer)

(As of 2020-03-17).

  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc)
  • Polynesia: 🇨🇰 Cook Islands (ck)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Annotation last modified on 2020-03-17 06:10 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Long Train Runnin’
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
The Doobie Brothers4.13:28
2The Best (edit)
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
Island Music Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
3Baby Jane
engineer:
George Tutko (engineer, producer)
co-producer:
Jim Cregan (Producer & member of Family) and George Tutko (engineer, producer)
producer:
Tom Dowd and Rod Stewart
mixer:
Jim Cregan (Producer & member of Family), Tom Dowd and George Tutko (engineer, producer)
recording of:
Baby Jane
lyricist:
Rod Stewart
composer:
Jay Davis (guitarist)
Rod Stewart4:43
4Playin’ by the Rules
bass:
Willie Weeks (US bass player)
drums (drum set):
Steve Gadd (drummer)
guitar:
Dean Parks (American session guitarist)
percussion:
Lenny Castro and Bobby LaKind
piano:
Greg Phillinganes
Rhodes piano:
Michael McDonald (R&B & soul singer)
solo saxophone:
Edgar Winter
background vocals:
Michael McDonald (R&B & soul singer) and Ed Sanford
vocals:
Michael McDonald (R&B & soul singer)
Michael McDonald5:00
5Hand in My Pocket
recording engineer, producer and mixer:
Glen Ballard
guitar [guitars] and keyboard:
Glen Ballard
harmonica:
Alanis Morissette
vocals:
Alanis Morissette
phonographic copyright (℗) by:
Maverick Recording Company (not for release label use, for copyrights use only) (in 1995)
music videos:
Hand in My Pocket by Alanis Morissette
recording of:
Hand in My Pocket
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Songs of Universal, Inc. and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette3.953:42
6All Right
recording engineer and mixer:
Chet Himes
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
assistant producer:
Rob Meurer and Michael Ostin
producer:
Michael Omartian
solo guitar:
Steve Lukather
additional vocals:
Michael McDonald (R&B & soul singer)
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
recorded at:
Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
All Right
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Christopher Cross54:16
7Savannah Nights
Tom Johnston4:04
8Lunch With Gina
drums (drum set):
Keith Carlock
electric bass guitar:
Walter Becker
electric guitar:
Jon Herington and Hugh McCracken
Wurlitzer electric piano and synthesizer:
Donald Fagen
vocals:
Donald Fagen
recording of:
Lunch With Gina
writer:
Walter Becker and Donald Fagen
Steely Dan34:26
9Best of Times
Peter Cetera4:16
10Move to Memphis (single version)
producer:
a‐ha (Norwegian synth-pop band)
recording of:
Move to Memphis
writer:
Magne Furuholmen and Paul Waaktaar-Savoy
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
a‐ha44:17
11Song Instead of a Kiss
engineer and mixer:
Brian Foraker
producer:
David Tyson (Canadian producer/songwriter)
recording of:
Song Instead of a Kiss
writer:
Alannah Myles, Robert Priest and Nancy Simmonds
Alannah Myles45:04
12Feelin’ Stronger Every Day
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
writer:
Peter Cetera (in 1973) and James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. and Big Elk Music (in 1973)
Chicago4:17
13The Flame
producer:
Arcadia (Duran Duran splinter group: Le Bon, Rhodes and Taylor) and Alex Sadkin
drums (drum set):
Roger Taylor (Duran Duran drummer)
keyboard:
Nick Rhodes
spoken vocals:
Grace Jones
vocals:
Simon Le Bon (singer for Duran Duran)
recording of:
The Flame
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes and Roger Taylor (Duran Duran drummer)
Arcadia4:23
14Say You Will
additional recording engineer and assistant engineer:
Billy Miranda (engineer)
recording engineer, engineer and mixer:
Frank Filipetti
co-producer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
percussion:
Sammy Merendino
synclavier:
Kevin Jones (Keyboard & Synth)
background vocals:
Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Say You Will
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Screen Gems–EMI Music Ltd. and Somerset Songs Publishing Inc.
Foreigner54:16
15Double Trouble
recording engineer and mixer:
Joe Barbaria
engineer:
Joe Barbaria and Jamie Chaleff
additional producer:
Greg Hawkes
producer:
Ric Ocasek
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Double Trouble
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars44:15
16Then I Met You
Lobo3:07
17Tin Soldier
Todd Rundgren3:10
18Sweet Jane
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:09
19It Can Happen
engineer:
Gary Langan
producer:
Trevor Horn
recording of:
It Can Happen (in 1983)
composer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), Carbert Music Inc., Tremander Songs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Yes3.65:27
20Time Loves a Hero (live version)
recorded at:
Rainbow Theatre (Finsbury Park) in London (Greater London), England, United Kingdom (on 1977-08-04)
live recording of:
Time Loves a Hero (on 1977-08-04)
lyricist:
Paul Barrère and Bill Payne
composer:
Paul Barrère, Ken Gradney and Bill Payne
Little Feat4:20
21Me and My Guitar
engineer and mixer:
Harry Maslin
producer:
David Spinozza
acoustic guitar:
Hugh McCracken and James Taylor (singer-songwriter and guitarist)
bass:
Andy Muson
drums (drum set) [drums]:
Rick Marotta (US drummer/percussionist)
electric guitar:
David Spinozza
French horn:
Peter Gordon (flutist/saxophonist)
harmonica:
Hugh McCracken
oboe:
George Marge
organ and piano:
Don Grolnick
percussion:
Ralph MacDonald
strings:
Gene Orloff
trumpet:
Alan Rubin
background vocals:
Peter Asher, Carly Simon and James Taylor (singer-songwriter and guitarist)
concertmaster:
Gene Orloff
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
mixed at and engineered at:
The Hit Factory in Manhattan, New York, New York, United States (from 1974-01 until 1974-04)
recording of:
Me and My Guitar
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (in 1974)
James Taylor53:35
22Dark Star
assistant recording engineer:
Steve Gursky
recording engineer:
Howard Albert and Ron Albert
additional producer:
Howard Albert and Ron Albert
producer:
David Crosby, Graham Nash and Stephen Stills
acoustic guitar:
David Crosby and Stephen Stills
bass:
George Perry (bassist)
congas:
Russ Kunkel
drums (drum set) and organ:
Joe Vitale
electric piano:
Craig Doerge
vocals:
David Crosby, Graham Nash and Stephen Stills
recording of:
Dark Star
lyricist and composer:
Stephen Stills
Crosby, Stills & Nash4:46
23Do You Believe in Magic
Randy VanWarmer2:37
24Alabama Song (Whisky Bar)
The Doors1:51
25Baby I’ll Give It to You
background vocals:
Becky Louis, Shirley Matthews (Canadian pop singer) and Marti McCall (session vocalist)
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
Seals & Crofts3:15
26Tranquillo (Melt My Heart)
bass:
Tony Levin (US rock bassist/chapman stick)
drums (drum set):
Steve Gadd (drummer)
electric piano and synthesizer [Arp strings]:
Don Grolnick
guitar:
Onnie McIntyre and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
background vocals:
Cissy Houston, Carly Simon, Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) and James Taylor (singer-songwriter and guitarist)
vocals:
Carly Simon
phonographic copyright (℗) by:
Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978)
recording of:
Tranquillo (Melt My Heart)
writer:
Arif Mardin, Carly Simon and James Taylor (singer-songwriter and guitarist)
publisher:
C’Est Music, Country Road Music, Inc. (ASCAP-affiliated) and Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon4:04
27Midnight Prowl
recording engineer and mixer:
Val Garay
assistant engineer:
Greg Ladanyi
producer:
Peter Asher
acoustic guitar and congas:
John David Souther
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
cello:
Ronald Cooper, Dennis Karmazyn and Harry Shlutz
drums (drum set):
Russel Kunkel
electric guitar and electric piano:
Andrew Gold
flugelhorn [fluegel horn]:
Donald Byrd (American jazz trumpeter)
slide guitar:
Lowell George
synthesizer [ARP string ensemble]:
Andrew Gold and John David Souther
viola:
David Campbell (US based Canadian violinist, composer, conductor and arranger), James Dunham (viola player) and Pamela Goldsmith
violin:
Charles Veal (violinist, conductor and arranger), Kathleen Lenski, Sheldon Sanov (violinist) and Haim Shtrum
vocals:
John David Souther
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at and mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
recording of:
Midnight Prowl
lyricist and composer:
J.D. Souther
publisher:
Benchmark Music (in 1976) and Golden Spread Music (in 1976)
J.D. Souther5:03