The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

▶ CD 1: Oberto (Atto I) (Marriner, 1966)
▶ CD 2: Oberto (Atto II, Appendix) (Marriner, 1966)
▶ CD 3: Un giorno di regno (Atto I) (Gardelli, 1973)
▶ CD 4: Un giorno di regno (Atto II) (Gardelli, 1973)
▶ CD 5: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
▶ CD 6: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
▶ CD 7: I Lombardi (Atto I, Atto II) (Levine, 1996)
▶ CD 8: I Lombardi (Atto III, Atto IV) (Levine, 1996)
▶ CD 9: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
▶ CD 10: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
▶ CD 11: I due Foscari (Atto I) (Gardelli, 1976)
▶ CD 12: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
▶ CD 13: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
▶ CD 14: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
▶ CD 15: Alzira (Prologo, Atto I) (Luisi, 1999)
▶ CD 16: Alzira (Atto II) (Luisi, 1999)
▶ CD 17: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
▶ CD 18: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
▶ CD 19: Macbeth (Atto I, Atto II) (Abbado, 1976)
▶ CD 20: Macbeth (Atto III, Atto IV) (Abbado, 1976)
▶ CD 21: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
▶ CD 22: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
▶ CD 23: Jérusalem (Acte I) (Luisi, 1998)
▶ CD 24: Jérusalem (Acte II) (Luisi, 1998)
▶ CD 25: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
▶ CD 26: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
▶ CD 27: Il corsaro (Atto III) (Gardelli, 1975)
▶ CD 28: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
▶ CD 29: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
▼ CD 30: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
#TitleRatingLength
1Luisa Miller: Sinfonia
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller
5:39
2Luisa Miller: Atto primo, L'amore. "Ti desta, Luisa, regina de'cori ... Ecco mia figlia" (Laura, Miller, Luisa, contadine, contadini)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 1a. Coro “Ti desta, o Luisa, regina de' cori” (Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 1b. Scena "Ecco mia figlia" (Miller, Luisa, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
5:30
3Luisa Miller: Atto primo, L'amore. "Non temer ... Le vidi, e 'l primo palpito ... Ah!... - Mia diletta!" (Luisa, Laura, Rodolfo, Miller, contadine, contadini)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 1c. "Lo vidi, e 'l primo palpito" (Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 1d. Scena "Luisa, un pegno ingenuo" (Laura, Coro, Luisa, Rodolfo, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
4:10
4Luisa Miller: Atto primo, L'amore. "T'amo d'amor ch'esprimere mal tenterebbe il detto!" (Luisa, Rodolfo, Miller, contadine, contadini)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 1e. Terzetto "T'amo d'amor ch'esprimere" (Luisa, Rodolfo, Miller, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
3:56
5Luisa Miller: Atto primo, L'amore. "Ferma ed ascolta ... Sacra la scelta è d'un consorte" (Wurm Miller)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 2a. Scena "Ferma, ed ascolta" (Wurm, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 2b. Aria "Sacra la scelta è d'un consorte" (Miller) (Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
8:46
6Luisa Miller: Atto primo, L'amore. "Che mai narrasti! ... Il mio sangue, la vita darei" (Walter, Wurm)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 3a. Scena "Che mai narrasti!" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 3b. Aria "Il mio sangue, la vita darei" (Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
5:13
7Luisa Miller: Atto primo, L'amore. "Padre... - M'abbraccia ... Taci... È la Duchessa ... Quale un sorriso d'amica sorte" (Rodolfo, Walter, Federica, damigelle, paggi, familiari, arcieri)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
mezzo-soprano vocals [Federica]:
Anna Reynolds (alto) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 4a. Scena "Padre...M'abbraccia..." (Rodolfo, Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 4b. Coro "Quale un sorriso d'amica sorte" (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
4:43
8Luisa Miller: Atto primo, L'amore. "Duchessa ... Dall'aule raggianti di vano splendor" (Rodolfo, Federica)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
mezzo-soprano vocals [Federica]:
Anna Reynolds (alto) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 5a. Recitativo "Duchessa tu m'appelli!" (Federica, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 5b. Duetto "Dall'aule raggianti di vano splendore" (Federica, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
7:04
9Luisa Miller: Atto primo, L'amore. "Sciogliete i levrieri ... O padre mio!" (Cacciatori, Luisa, Miller)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 6a. Coro "Sciogliete i levriere...Sponate i destrieri" (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
1:35
10Luisa Miller: Atto primo, L'amore. "Del Conte di Walter figlio, qual comanda il padre ... Tu, signor, fra queste soglie!" (Miller, Luisa, Rodolfo, Walter, Laura, arcieri, contadine, contadini)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 6b. Scena "Nol veggo..." (Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 6c. "Tu, signor, fra queste soglie!" (Rodolfo, Walter, Miller, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
6:13
11Luisa Miller: Atto primo, L'amore. "Fra'mortali ancora oppressa non è tanto l'innocenza" (Miller, Rodolfo, Walter, Luisa, Laura, contadine, contadini, arcieri)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 6d. Quintetto "Fra' mortali ancora oppressa" (Miller, Rodolfo, Walter, Luisa, Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 6e. "I cenni miei si compiano" (Walter, Rodolfo, Miller, Luisa, Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
7:25
12Luisa Miller: Atto secondo, L'intrigo. "Ah! Luisa, Luisa, ove sei? ... Al villaggio dai campi tornando" (Contadine, contadini, Laura, Luisa)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 7a. Coro "Ah! Luisa, Luisa, ove, sei?" (Laura, Coro, Luisa, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
2:35
13Luisa Miller: Atto secondo, L'intrigo. "Il padre tuo ... Tu, puniscimi, o Signore" (Wurm, Luisa)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 7b. Scena "Il padre tuo...Finisci" (Wurm, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
recording of:
Luisa Miller: Atto II, Nº 7c. Aria "Tu puniscimi, o Signore" (Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
6:26
▶ CD 31: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
▶ CD 32: Stiffelio (Atto I) (Gardelli, 1979)
▶ CD 33: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
▶ CD 34: Rigoletto (Atto I) (Giulini, 1979)
▶ CD 35: Rigoletto (Atto II, Atto III) (Giulini, 1979)
▶ CD 36: Il trovatore (Parte I, Parte II) (Giulini, 1984)
▶ CD 37: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
▶ CD 38: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
▶ CD 39: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
▶ CD 40: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
▶ CD 41: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
▶ CD 42: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
▶ CD 43: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
▶ CD 44: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
▶ CD 45: Aroldo (Atto I, Atto II) (Luisi, 1997)
▶ CD 46: Aroldo (Atto III, Atto IV) (Luisi, 1997)
▶ CD 47: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
▶ CD 48: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
▶ CD 49: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
▶ CD 50: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
▶ CD 51: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
▶ CD 52: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
▶ CD 53: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
▶ CD 54: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
▶ CD 55: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
▶ CD 56: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
▶ CD 57: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
▶ CD 58: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
▶ CD 59: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
▶ CD 60: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
▶ CD 61: Don Carlo (Atto IV, Atto V) (Solti, 1965)
▶ CD 62: Aida (Atto I, Atto II beginning) (Karajan, 1959)
▶ CD 63: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
▶ CD 64: Otello (Atto I, Atto II) (Chung, 1993)
▶ CD 65: Otello (Atto III, Atto IV) (Chung, 1993)
▶ CD 66: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
▶ CD 67: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
▶ CD 68: Requiem (Requiem, Dies irae) (Solti, 1967)
▶ CD 69: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
▶ CD 70: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
▶ CD 71: Discoveries (Riccardo Chailly, 2002)
▶ CD 72: Songs (Margaret Price, Geoffrey Parsons, 1986)
▶ CD 73: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
▶ CD 74: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
▶ CD 75: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release Group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Russian operatic bass singer), Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre et Chœurs de l’Opéra Bastille, Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)