Cantatas

~ Release by Dietrich Fischer‐Dieskau, Karl Forster (see all versions of this release, 1 available)

Tracklist

▼ Medium 1
#TitleArtistRatingLength
1Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Diana) "Was mir behagt, ist nur die muntre Jagd!"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:41
2Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Diana) "Jagen ist die Lust der Götter"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:07
3Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Endymion) "Wie, schönste Göttin? Wie?"
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:08
4Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Endymion) "Willst du dich nicht mehr ergetzen?"
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach5:04
5Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Diana/Endymion) "Ich liebe dich zwar noch!"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:31
6Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Pan) "Ich, der ich sonst ein Gott in diesen Feldern bin"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:41
7Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Pan) "Ein Fürst ist seines Landes Pan"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:48
8Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Pales) "Soll denn der Pales Opfer hier das letzte sein?"
soprano vocals [Pales]:
Erika Köth (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:39
9Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Pales) "Schafe können sicher weiden"
soprano vocals [Pales]:
Erika Köth (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:56
10Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Diana) "So stimmt mit ein"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:17
11Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Chorus "Lebe, Sonne dieser Erden"
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:11
12Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Duet (Diana/Endymion) "Entzücket uns beide, ihr Strahlen der Freude"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:14
13Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Pales) "Weil die wollenreichen Herden"
soprano vocals [Pales]:
Erika Köth (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:42
14Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Pan) "Ihr Felder und Auen, laßt grünend euch schauen"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:39
15Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Chorus "Ihr lieblichste Blicke, ihr freudige Stunden"
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:47
16Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Erzähler) "Schweigt stille, Plaudert Nicht"
tenor vocals:
Josef Traxel (tenor) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:32
17Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria (Schlendrian) "Hat man nicht mit seinen Kindern Hunderttausend Hudelei!"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:09
18Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Schlendrian/Lieschen) "Du böses Kind"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:36
19Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria (Lieschen) "Ei! wie schmeckt der Coffee suße"
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:23
20Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Schlendrian/Lieschen) "Wenn du mir nicht der Coffee läßt"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:15
21Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria (Schlendrian) "Mädchen, die von harten Sinnen"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:05
22Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Schlendrian/Lieschen) "Nun, Folge, was dein Vater Spricht!"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:48
23Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria (Lieschen) "Heute noch, lieber Vater, tut es doch!"
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach9:00
24Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Erzähler) "Nun geht und sucht der alte Schlendrian"
tenor vocals:
Josef Traxel (tenor) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:46
25Cantata "Schweigt stille, plaudert nicht", BWV 211: Trio (Lieschen/Erzähler/Schlendrian) "Die Katze läßt das Mausen nicht"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1960-10-08 until 1960-10-09)
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
tenor vocals:
Josef Traxel (tenor) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:07
▶ Medium 2

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ASIN:US: B000009OQM [info]