Bop for Kerouac

~ Release by Mark Murphy (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Be-Bop Lives (Boplicity)
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
6:39
2Goodbye Pork Pie Hat
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
recording of:
Goodbye Porkpie Hat (Joni Mitchell lyrics)
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1979) and Jazz Workshop, Inc. (in 1979)
version of:
Goodbye Pork Pie Hat (instrumental)
4:53
3Parker's Mood
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
recording of:
Parker’s Mood (King Pleasure vocal)
lyricist:
King Pleasure
writer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
4:33
4You Better Go Now
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
3:26
5You've Proven Your Point (Bongo Beep)
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
3:47
6The Bad and the Beautiful
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
3:54
7Down St. Thomas Way
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
recording of:
Down St. Thomas Way
lyricist:
Ray Passman and Herb Wasserman (jazz drummer)
is based on:
St. Thomas
5:06
8Balad of the Sad Young Men
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
7:37