Dedicated to Nelson

~ Release by Rosemary Clooney (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1A Foggy Day
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
lead vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
cover recording of:
A Foggy Day (in London Town) (from 1995-09-27 until 1995-09-30)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
3:18
2We're in the Money
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
We’re in the Money (The Gold Digger's Song) (from 1995-09-27 until 1995-09-30)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
2:50
3It's So Peaceful in the Country
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
cello:
Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
harp:
Marcia Dickstein (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
violin:
Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (Violinist) (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
concertmaster:
Endré Granat (Hungarian violinist) (from 1995-09-27 until 1995-09-30)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
It’s So Peaceful in the Country (from 1995-09-27 until 1995-09-30)
lyricist and composer:
Alec Wilder
4:10
4Limehouse Blues
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
cello:
Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
harp:
Marcia Dickstein (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
violin:
Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (Violinist) (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
concertmaster:
Endré Granat (Hungarian violinist) (from 1995-09-27 until 1995-09-30)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Limehouse Blues (from 1995-09-27 until 1995-09-30)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
2:31
5Do You Know What It Means to Miss New Orleans?
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Do You Know What It Means to Miss New Orleans (from 1995-09-27 until 1995-09-30)
lyricist:
Eddie DeLange and Cathrine Legardh
composer:
Louis Alter
3:51
6I Got It Bad and That Ain't Good
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
cover recording of:
I Got It Bad (and That Ain’t Good) (from 1995-09-27 until 1995-09-30)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:19
7The Continental
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
cello:
Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
harp:
Marcia Dickstein (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
violin:
Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (Violinist) (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
concertmaster:
Endré Granat (Hungarian violinist) (from 1995-09-27 until 1995-09-30)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
The Continental (from the 1934 film "The Gay Divorcee") (from 1995-09-27 until 1995-09-30)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 7)
3:12
8Mean to Me
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Mean to Me (from 1995-09-27 until 1995-09-30)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
3:43
9You're in Kentucky
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
You're in Kentucky (from 1995-09-27 until 1995-09-30)
lyricist:
Haven Gillespie and George A. Little
composer:
Larry Shay
2:56
10As Time Goes By
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
As Time Goes By (the song from “Casablanca”) (from 1995-09-27 until 1995-09-30)
lyricist, writer and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
part of:
Casablanca (original soundtrack of the 1942 American film)
4:11
11Haven't Got a Worry
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Haven’t Got a Worry (from 1995-09-27 until 1995-09-30)
writer:
Ray Evans (US lyricist) and Jay Livingston
2:39
12Mangos
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
cello:
Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
harp:
Marcia Dickstein (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Wayne Bergeron (from 1995-09-27 until 1995-09-30), George Graham (trumpet) (from 1995-09-27 until 1995-09-30) and Larry Hall (trumpet player) (from 1995-09-27 until 1995-09-30)
violin:
Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (Violinist) (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
concertmaster:
Endré Granat (Hungarian violinist) (from 1995-09-27 until 1995-09-30)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Mangos (from 1995-09-27 until 1995-09-30)
lyricist:
Sid Wayne
composer:
Dee Libbey
publisher:
Holly-Hill Music Publishing Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント, フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:46
13At Sundown
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Wayne Bergeron (from 1995-09-27 until 1995-09-30), George Graham (trumpet) (from 1995-09-27 until 1995-09-30) and Larry Hall (trumpet player) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
At Sundown (from 1995-09-27 until 1995-09-30)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
2:27
14A Woman Likes to Be Told
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
cello:
Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
harp:
Marcia Dickstein (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
violin:
Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (Violinist) (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
concertmaster:
Endré Granat (Hungarian violinist) (from 1995-09-27 until 1995-09-30)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
A Woman Likes to Be Told (from 1995-09-27 until 1995-09-30)
lyricist:
Harold Adamson
composer:
Hoagy Carmichael
3:55
15What Is This Thing Called Love
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
cello:
Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
harp:
Marcia Dickstein (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Wayne Bergeron (from 1995-09-27 until 1995-09-30), George Graham (trumpet) (from 1995-09-27 until 1995-09-30) and Larry Hall (trumpet player) (from 1995-09-27 until 1995-09-30)
violin:
Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (Violinist) (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
concertmaster:
Endré Granat (Hungarian violinist) (from 1995-09-27 until 1995-09-30)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (from 1995-09-27 until 1995-09-30)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:52
16Come Rain or Come Shine
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Wayne Bergeron (from 1995-09-27 until 1995-09-30), George Graham (trumpet) (from 1995-09-27 until 1995-09-30) and Larry Hall (trumpet player) (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Come Rain or Come Shine (from 1995-09-27 until 1995-09-30)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
3:05

Credits

Release

art direction:Kent Judkins
liner notes:Gary Giddins (jazz critic, author, director)
executive producer:Glen Barros
mastering:Wally Traugott (engineer, mastering engineer, cutting engineer, remastering, mixing engineer lacquer-cutting)
mastered at:Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/15964071 [info]

Release Group

Wikipedia:en: Dedicated to Nelson [info]
Wikidata:Q5249802 [info]