Nat King Cole 1949-1960

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Beale Street Blues
recording of:
Beale Street Blues
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
2:56
2Careless Love
recording of:
Careless Love
writer:
[traditional] (special purpose artist), William Christopher Handy, Martha Koenig and Spencer Williams (US jazz composer, pianist & singer)
version of:
Careless Love
2:45
3Memphis Blues
recording of:
The Memphis Blues
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
3:06
4Almost Like Being In Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-01-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Brigadoon (complete musical)
1:52
5You Stepped Out Of A Dream
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
bongos and congas:
Jack Costanzo (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (on 1952-01-11)
guitar:
John Collins (jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1952-01-11)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
2:36
6Orange Colored Sky
recording of:
Orange Colored Sky
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
2:33
7This Can't Be Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
This Can’t Be Love (on 1953-01-28)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
2:30
8Get To Gettin'
recording of:
Get to Gettin’
writer:
James L. MacDonald (songwriter) and Wilhelmine Weber
2:20
9Jam-Bo
recording of:
Jam-Bo
composer:
Shorty Rogers (trumpet)
2:55
10It's Crazy
recording of:
It’s Crazy
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Richard Rodgers (composer)
2:21
11Funny (Not Much)
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (on 1952-01-11)
guitar:
John Collins (jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
recording of:
Funny (Not Much) (on 1952-01-11)
writer:
Philip Broughton, Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl), Marcia Neil and Hughie Prince
2:59
12Where Were You
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
bongos and congas:
Jack Costanzo (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (on 1952-01-11)
guitar:
John Collins (jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
recording of:
Where Were You? (on 1952-01-11)
lyricist and composer:
Leonard Feather
writer:
Jane Feather and Leonard Feather
2:19
13That's My Girl
double bass:
Joe Comfort (on 1951-02-01)
guitar:
Irving Ashby (on 1951-02-01)
piano:
Nat King Cole (on 1951-02-01)
vocals:
Nat King Cole (on 1951-02-01)
conductor:
Pete Rugolo (on 1951-02-01)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-02-01)
cover recording of:
That's My Girl (on 1951-02-01)
writer:
Ray Ellington and Barbara Tobias
2:21
14Summer Is A Comin' In
recording of:
Summer Is A Comin’ In
writer:
Marshall Barer and Alec Wilder
3:08
15Paint Yourself A Rainbow
recording of:
Paint Yourself a Rainbow
writer:
Peter de Rose and Carl Sigman
2:21
16Destination Moon
recorded in:
New York, New York, United States (on 1950-12-11)
bongos and congas:
Jack Costanzo (on 1950-12-11)
double bass:
Joe Comfort (on 1950-12-11)
guitar:
Irving Ashby (on 1950-12-11)
piano:
Nat King Cole (on 1950-12-11)
vocals:
Nat King Cole (on 1950-12-11)
conductor:
Neal Hefti (on 1950-12-11)
arranger:
Neal Hefti
recording of:
Destination Moon (on 1950-12-11)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
composer:
Mark Fisher (early 20th century songwriter)
2:41
17Lush Life
bongos and congas:
Jack Costanzo (on 1949-03-29)
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
orchestra:
Pete Rugolo and His Orchestra (on 1949-03-29)
conductor:
Pete Rugolo (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
recording of:
Lush Life (on 1949-03-29)
lyricist:
Billy Strayhorn (from 1933 until 1938)
composer:
Gary Fuhrmann and Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Reservoir Media Music, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and Tempo Music Inc (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:17
18Lillian
2:44
19Wish I Were Somebody Else
recording of:
Wish I Were Somebody Else
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
2:43
20Who Do You Know In Heaven (That Made You The Angel You Are)
2:40
21Joe Turner's Blues
recording of:
Joe Turner Blues
lyricist:
Walter Hirsch
composer:
William Christopher Handy
2:41
22St Louis Blues
cover recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
2:26
23Where Or When
double bass:
Charlie Harris (jazz bassist) (on 1960-06-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1960-06-14)
guitar:
John Collins (jazz guitarist) (on 1960-06-14)
piano:
Nat King Cole (on 1960-06-14)
conductor:
Anton Morelli (on 1960-06-14)
arranger:
Dave Cavanaugh
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1960-06-14)
live instrumental recording of:
Where or When (from “Babes in Arms”) (on 1960-06-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
3:18