Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

CD 1: Bellini: Beatrice di Tenda (I)
CD 2: Bellini: Beatrice di Tenda (II)
CD 3: Donizetti: La fille du régiment (I)
CD 4: Donizetti: La fille du régiment (II)
CD 5: Verdi: Messa da Requiem
CD 6: Mascagni: L'amico Fritz (I)
CD 7: Mascagni: L'amico Fritz (II)
CD 8: R. Strauss: Der Rosenkavalier (I)
CD 9: R. Strauss: Der Rosenkavalier (II)
CD 10: R. Strauss: Der Rosenkavalier (III)
CD 11: Donizetti: L'elisir d'amore (I)
CD 12: Donizetti: L'elisir d'amore (II)
CD 13: Verdi: Un ballo in maschera (I)
CD 14: Verdi: Un ballo in maschera (II)
CD 15: Verdi: Macbeth (I)
CD 16: Verdi: Macbeth (II)
CD 17: Rossini: Stabat Mater
CD 18: Verdi: Rigoletto (I)
CD 19: Verdi: Rigoletto (II)
CD 20: Donizetti: Lucia di Lammermoor (I)
CD 21: Donizetti: Lucia di Lammermoor (II)
CD 22: Puccini: Turandot (I)
CD 23: Puccini: Turandot (II)
CD 24: Puccini: La bohème (I)
CD 25: Puccini: La bohème (II)
CD 26: Bellini: I puritani (I)
CD 27: Bellini: I puritani (II)
CD 28: Bellini: I puritani (III)
CD 29: Puccini: Madama Butterfly (I)
CD 30: Puccini: Madama Butterfly (II)
CD 31: Donizetti: La favorita (I)
CD 32: Donizetti: La favorita (II)
CD 33: Donizetti: Maria Stuarda (I)
CD 34: Donizetti: Maria Stuarda (II)
CD 35: Verdi: Luisa Miller (I)
CD 36: Verdi: Luisa Miller (II)
CD 37: Mascagni: Cavalleria rusticana
CD 38: Leoncavalla: Pagliacci
CD 39: Verdi: Il trovatore (I)
CD 40: Verdi: Il trovatore (II)
CD 41: Puccini: Tosca (I)
#TitleArtistRatingLength
1Tosca: Atto I. “Ah! Finalmente!” (Angelotti)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
bass vocals [Angelotti]:
Richard van Allan (operatic bass-baritone) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini2:19
2Tosca: Atto I. “E sempre lava! ...Angelus Domini nuntiavit Mariae ... Che fai?” (Sagrestano, Cavaradossi)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
bass vocals [Sagrestano]:
Italo Tajo (Italian operatic bass) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:25
3Tosca: Atto I. “Dammi i colori ... Recondita armonia” (Cavaradossi, sagrestano)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini4:39
4Tosca: Atto I. “Voi! Cavaradossi” (Angelotti, Cavaradossi, Tosca)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
bass vocals [Angelotti]:
Richard van Allan (operatic bass-baritone) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini1:10
5Tosca: Atto I. “Mario! Mario! Mario!” (Tosca, Cavaradossi)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Ora stammi a sentir” (Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini13:17
6Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
bass vocals [Angelotti]:
Richard van Allan (operatic bass-baritone) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:40
7Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, coro)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
bass vocals [Sagrestano]:
Italo Tajo (Italian operatic bass) (from 1978-05-31 until 1978-08-01)
solo choir vocals:
London Opera Chorus (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini1:41
8Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, sagrestano, Spoletta)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
bass vocals [Sagrestano]:
Italo Tajo (Italian operatic bass) (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:43
9Tosca: Atto I. “Or tutto è chiaro” (Scarpia, Tosca, sagrestano)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
bass vocals [Sagrestano]:
Italo Tajo (Italian operatic bass) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini7:30
10Tosca: Atto I. “Tre sbirri, una carrozza” (Scarpia, Spoletta, coro)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1978-05-31 until 1978-08-01)
solo choir vocals:
London Opera Chorus (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I
Giacomo Puccini4:45
CD 42: Puccini: Tosca (II)
CD 43: Rossini: Petite messe solennelle
CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
CD 45: Rossini: Guglielmo Tell (I)
CD 46: Rossini: Guglielmo Tell (II)
CD 47: Rossini: Guglielmo Tell (III)
CD 48: Rossini: Guglielmo Tell (IV)
CD 49: Verdi: La traviata (I)
CD 50: Verdi: La traviata (II)
CD 51: Bellini: La sonnambula (I)
CD 52: Bellini: La sonnambula (II)
CD 53: Ponchielli: La Gioconda (I)
CD 54: Ponchielli: La Gioconda (II)
CD 55: Ponchielli: La Gioconda (III)
CD 56: Boito: Mefistofele (I)
CD 57: Boito: Mefistofele (II)
CD 58: Verdi: Un ballo in maschera (I)
CD 59: Verdi: Un ballo in maschera (II)
CD 60: Giordano: Andrea Chénier (I)
CD 61: Giordano: Andrea Chénier (II)
CD 62: Mozart: Idomeneo (I)
CD 63: Mozart: Idomeneo (II)
CD 64: Mozart: Idomeneo (III)
CD 65: Bellini: Norma (I)
CD 66: Bellini: Norma (II)
CD 67: Bellini: Norma (III)
CD 68: Verdi: Aida (I)
CD 69: Verdi: Aida (II)
CD 70: Verdi: Aida (III)
CD 71: Verdi: Ernani (I)
CD 72: Verdi: Ernani (II)
CD 73: Berlioz: Requiem
CD 74: Verdi: Rigoletto (I)
CD 75: Verdi: Rigoletto (II)
CD 76: Donizetti: L'elisir d'amore (I)
CD 77: Donizetti: L'elisir d'amore (II)
CD 78: Verdi: Il trovatore (I)
CD 79: Verdi: Il trovatore (II)
CD 80: Verdi: Otello (I)
CD 81: Verdi: Otello (II)
CD 82: Verdi: La traviata (I)
CD 83: Verdi: La traviata (II)
CD 84: Leoncavallo: Pagliacci
CD 85: Puccini: Manon Lescaut (I)
CD 86: Puccini: Manon Lescaut (II)
CD 87: Verdi: Don Carlo (I)
CD 88: Verdi: Don Carlo (II)
CD 89: Verdi: Don Carlo (III)
CD 90: Verdi: Rigoletto (I)
CD 91: Verdi: Rigoletto (II)
CD 92: Verdi: I Lombardi (I)
CD 93: Verdi: I Lombardi (II)
Blu-ray 94: Donizetti: L'elisir d'amore
Blu-ray 95: Verdi: Rigoletto
Blu-ray 96: Donizetti: Lucia di Lammermoor
Blu-ray 97: Puccini: Turandot
Blu-ray 98: Puccini: La bohème
Blu-ray 99: Puccini: Madama Butterfly
CD 100: Puccini: La bohème (I)
CD 101: Puccini: La bohème (II)

Credits

Release Group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]