Oster-Oratorium / Magnificat (Weihnachtsoratorium/Magnificat contains the Magnificat but not the Oster-Oratorium conducted by Karl Münchinger)

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

The CD contains music that can be found on Weihnachtsoratorium/Magnificat by Karl Münchinger and also the Oster-Oratorium by Karl Münchinger that is not yet in musicbrainz.

Annotation last modified on 2019-03-06 15:27 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Oster-Oratorium BWV 249 - Sinfonia
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
4:10
2Oster-Oratorium BWV 249 - Adagio
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
5:10
3Oster-Oratorium BWV 249 - Arie (Duett): Kommt, eilet und laufet
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
choir vocals:
Der Wiener Akademiechor (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
5:18
4Oster-Oratorium BWV 249 - Rezitativ: O kalter Männer Sinn
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
alto vocals:
Helen Watts (contralto) (from 1968-05-01 until 1968-05-13)
bass vocals:
Tom Krause (bass-baritone) (from 1968-05-01 until 1968-05-13)
soprano vocals:
Elly Ameling (soprano) (from 1968-05-01 until 1968-05-13)
tenor vocals:
Werner Krenn (tenor) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
1:24
5Oster-Oratorium BWV 249 - Arie: Seele, deine Spezereien
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
soprano vocals:
Elly Ameling (soprano) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
12:00
6Oster-Oratorium BWV 249 - Rezitativ: Hier ist die Gruft
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
alto vocals:
Helen Watts (contralto) (from 1968-05-01 until 1968-05-13)
bass vocals:
Tom Krause (bass-baritone) (from 1968-05-01 until 1968-05-13)
tenor vocals:
Werner Krenn (tenor) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
1:11
7Oster-Oratorium BWV 249 - Ari:e Sanfte soll mein Todesschlummer
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
tenor vocals:
Werner Krenn (tenor) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
6:55
8Oster-Oratorium BWV 249 - Rezitativ: Indessen seufzen wir
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
alto vocals:
Helen Watts (contralto) (from 1968-05-01 until 1968-05-13)
soprano vocals:
Elly Ameling (soprano) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:58
9Oster-Oratorium BWV 249 - Arie: Saget, Saget Mir Geschwinde
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
alto vocals:
Helen Watts (contralto) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
7:13
10Oster-Oratorium BWV 249 - Rezitativ: Wir sind erfreut
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
bass vocals:
Tom Krause (bass-baritone) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:47
11Oster-Oratorium BWV 249 - Chor: Preis und Dank
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
choir vocals:
Der Wiener Akademiechor (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
2:42
12Magnificat, BWV 243: I. Magnificat
choir vocals:
Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:17
13Magnificat, BWV 243: II. Et exultavit
soprano vocals:
Hanneke van Bork (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1966-09)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat, op. 26: II. Et exultavit
composer:
Urmas Sisask (in 1990)
part of:
Magnificat, op. 26
2:33
14Magnificat, BWV 243: III. Quia respexit - IV. Omnes generationes
choir vocals:
Vienna Academy Chorus (in 1968-05)
contralto vocals:
Helen Watts (contralto) (in 1968-05)
soprano vocals:
Elly Ameling (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
4:22
15Magnificat, BWV 243: V. Quia fecit mihi magna
baritone vocals:
Tom Krause (bass-baritone) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:20
16Magnificat, BWV 243: VI. Et misericordia
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
4:18
17Magnificat, BWV 243: VII. Fecit Potentiam
choir vocals:
Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:02
18Magnificat, BWV 243: VIII. Deposuit potentes
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:08
19Magnificat, BWV 243: IX. Esurientes
contralto vocals:
Helen Watts (contralto) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
3:11
20Magnificat, BWV 243: X. Suscepit Israel
contralto vocals:
Helen Watts (contralto) (in 1968-05)
soprano vocals:
Elly Ameling (soprano) (in 1968-05) and Hanneke van Bork (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:12
21Magnificat, BWV 243: XI. Sicut locutus est
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:02
22Magnificat, BWV 243: XII. Gloria
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:33

Credits

Release

part of:Ovation (Decca/London Classics) (order: 1)
ASIN:DE: B000026CFY [info]