NOW: Yearbook Extra ’92 (collectors edition)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Released in a six-panel digifile.

℗2023 The copyright in this sound recording is owned by Now That's What I Call Music LLP. ©2023 Now That's What I Call Music LLP.
Made in the EU.

Label Code: LC48653
Rights Society: BIEM/SDRM
Matrix / Runout (CD1): 58350855/00602455677785 21
Mastering SID Code (CD1): IFPI LP 73
Mould SID Code (CD1): IFPI 0701
Matrix / Runout (CD2): 58350852/00602455677792 21
Mastering SID Code (CD2): IFPI LP 73
Mould SID Code (CD2): IFPI 072Y
Matrix / Runout (CD3): 58350849/00602455677808 21
Mastering SID Code (CD3): IFPI LP 73
Mould SID Code (CD3): IFPI LP 73
Matrix / Runout (Inner ring, CD1 to CD3): 4 x Universal logo
Other (CD1 catalogue number): 0602455677785
Other (CD2 catalogue number): 0602455677792
Other (CD3 catalogue number): 0602455677808

Annotation last modified on 2023-11-03 21:00 UTC.

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Too Much Love Will Kill You
producer:
Brian May (Queen guitarist) and Justin Shirley‐Smith
lead vocals:
Brian May (Queen guitarist)
recording of:
Too Much Love Will Kill You
writer:
Elizabeth Lamers, Brian May (Queen guitarist) and Frank Musker
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
Brian May2.54:24
2Sentinel (single restructure)
phonographic copyright (℗) by:
Warner Music UK Ltd (not for release label use!) (in 2015)
recording of:
Sentinel
composer:
Mike Oldfield
Mike Oldfield3:56
3Take This Heart
producer:
Richard Marx
recording of:
Take This Heart
composer:
Richard Marx
Richard Marx24:10
4Could’ve Been You (album version)
producer:
Peter Asher
recording of:
Could’ve Been You
writer:
Bob Halligan, Jr. (founder of Ceili Rain) and Arnie Roman
Cher3:26
5Love Thing
assistant engineer:
Talley Sherwood
engineer and mixer:
Chris Lord‐Alge
producer:
Roger Davies (producer), Chris Lord‐Alge and Tina Turner
organ, saxophone, tambourine and background vocals:
Tim Cappello
lead vocals:
Tina Turner
music videos:
Love Thing by Tina Turner
recording of:
Love Thing
writer:
Albert Hammond and Holly Knight
publisher:
Albert Hammond Music, BMG Rights Management (France) (not for release label use! file releases under its imprint “BMG (2008–present)), Knighty-Knight Music, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック BMG事業部 and ヤマハミュージックEH(CM)
Tina Turner2.354:28
6God Gave Rock ’n’ Roll to You II
engineer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette), Stan Katayama and Chris Steinmetz
producer:
Bob Ezrin
mixer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
drums (drum set):
Eric Singer (rock/metal drummer)
electric bass guitar:
Gene Simmons (KISS bassist and vocalist)
electric guitar [lead guitar]:
Bruce Kulick
electric guitar [rhythm guitar]:
Paul Stanley (KISS frontman)
background vocals:
Eric Carr (KISS drummer) and Bruce Kulick
lead vocals:
Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Interscope Records, Inc. (not for release label use!) (in 1991)
engineered at:
A&M Studios in Hollywood, Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and The Enterprise (aka Enterprise Studios) in Burbank, California, United States
remix of:
God Gave Rock and Roll to You II (soundtrack mix) by KISS (US rock band)
recording of:
God Gave Rock ’n’ Roll to You II
additional lyricist:
Bob Ezrin, Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
lyricist and composer:
Russ Ballard
publisher:
Bocu Music Ltd., Verulam Music Co., Ltd. and Mainspring Music (from 1991 to ????)
sub-publisher:
シンコーミュージック・パブリッシャーズ
version of:
God Gave Rock and Roll to You
KISS4.55:20
7Theme From M*A*S*H (Suicide Is Painless)
engineer:
Alex Silva
additional producer:
Steve Brown (engineer/music producer)
producer:
Manic Street Preachers
mixer:
Steve Brown (engineer/music producer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
miscellaneous support:
140dB (task: engineered for)
edit of:
Theme From M*A*S*H (Suicide Is Painless) by Manic Street Preachers
cover recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp. and WB Music Corp. (1929–2019)
Manic Street Preachers53:29
8High
assistant engineer:
Chris Bandy
engineer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth)) and Steve Whitfield
producer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth)) and The Cure
assistant mixer:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple and Mark Warner (UK guitarist for Quantum Jump)
mixer:
Mark Saunders (UK record producer)
bass:
Simon Gallup
bass guitar [6-string bass]:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
drums (drum set) and percussion:
Boris Williams
guitar:
Porl Thompson
keyboard:
Perry Bamonte and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
High
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Perry Bamonte, Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson and Boris Williams
publisher:
Fiction Songs Ltd.
The Cure43:34
9The Drowners
recording of:
The Drowners
writer:
Brett Anderson (Suede) and Bernard Butler
publisher:
Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Stage Three Music Publishing Limited, Universal Music Publishing Group Japan (work publisher - do NOT use as a release label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), シンコーミュージック・エンタテイメント, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
Suede4.354:10
10The Only Living Boy in New Cross
electric bass guitar and keyboard:
Fruitbat
electric guitar:
Jim Bob (Carter USM singer James Morrison)
vocals:
Fruitbat and Jim Bob (Carter USM singer James Morrison)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1992)
recording of:
The Only Living Boy in New Cross
writer:
Jim Bob (Carter USM singer James Morrison) and Lesley Carter
publisher:
Island Music Ltd.
Carter the Unstoppable Sex Machine3:54
1199.9 F (album version)
engineer and mixer:
Tchad Blake
producer:
Mitchell Froom
editor:
Dave Collins (US mastering engineer)
acoustic guitar:
Suzanne Vega
bass:
Bruce Thomas
drums (drum set):
Jerry Marotta
electric guitar:
Tchad Blake and David Hidalgo
keyboard:
Mitchell Froom
vocals:
Suzanne Vega
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
99.9 F°
composer:
Suzanne Vega
Suzanne Vega43:14
12Precious
programming:
Marius de Vries and Stephen Lipson
engineer:
Heff Moraes
producer:
Stephen Lipson
mixer:
William O'Donovan
guitar [guitars]:
Stephen Lipson
keyboard [keyboards]:
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
recorder:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom and The Church Studios in London (Greater London), England, United Kingdom
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
Precious
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
Annie Lennox3:47
13Spanish Horses
producer:
Roddy Frame and Ryuichi Sakamoto (Japanese composer, pianist, singer, songwriter)
Aztec Camera4:36
14Achy Breaky Heart
producer:
Jim Cotton and Joe Scaife
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 2011)
cover recording of:
Achy Breaky Heart
lyricist and composer:
Donald L. Tress
Billy Ray Cyrus2.653:24
15All Shook Up (from “Honeymoon in Vegas” OST)
executive producer:
Peter Afterman
producer:
Billy Joel
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
cover recording of:
All Shook Up (in 1992)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
Billy Joel32:09
16I Wonder Why
recording of:
I Wonder Why
writer:
Glen Ballard and Curtis Stigers
publisher:
Arlovol Music and C. Montrose’s Music, Inc.
Curtis Stigers4:28
17To Love Somebody
cover recording of:
To Love Somebody
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
part of:
50/50
Michael Bolton4:08
18Four Seasons in One Day
recording engineer and engineer:
Tchad Blake
assistant engineer:
Robert “RJ” Jaczko
producer:
Neil Finn and Mitchell Froom
mixer:
Bob Clearmountain
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Four Seasons in One Day
lyricist and composer:
Neil Finn and Tim Finn
Crowded House3.52:47
19Half the World
engineer:
Greg Droman (American producer, mixing and audio engineer), Ross Hogarth and Jon Ingoldsby
producer:
Richard Feldman
mixer:
Peter Arata
bass:
Eric Pressly (Bassist, producer and songwriter)
drums (drum set):
Denny Fongheiser and Stan Lynch
guitar:
Rusty Anderson and Michael Landau
keyboard:
Kevin Savigar
mandolin:
Eric Bazilian
oboe:
Michael Kamen (American score composer)
percussion:
Kenny Aronoff
background vocals:
Gia Ciambotti, Cherryl Crowe and Debra Parson
lead vocals:
Belinda Carlisle
orchestrator:
Pat Seymour (Production music composer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
mixed at:
Can-Am Recording Studios in Tarzana, Los Angeles, California, United States
recording of:
Half the World
writer:
Richard Feldman, Eric Pressly (Bassist, producer and songwriter) and Ellen Shipley
publisher:
Mechanical Panther Music, Shipwreck Music (publisher) and Virgin Music Ltd.
Belinda Carlisle4:20
20Always Tomorrow
recording of:
Always Tomorrow
lyricist and composer:
Gloria Estefan
Gloria Estefan24:51
▶ CD 3

Credits

Release

part of:Now Yearbook (number: 92) (order: 2)
Discogs:https://www.discogs.com/release/28075114 [info]
ASIN:UK: B0CBLD4533 [info]