Nessun Dorma: 20 Great Tenor Arias

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Che gelida manina (La bohème)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:41
2Donna non vidi mai (Manon Lescaut)
tenor vocals [Des Grieux]:
José Carreras (Spanish tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:14
3La fleur que tu m’avais jetée (Flower Song) (Carmen)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (french librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:57
4O! Fede negar potessi … Quando le sere al placido (Luisa Miller)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Gianandrea Gavazzeni (conductor)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi4:59
5Lunge da lei … De’ miei bollenti spiriti (La traviata)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
Giuseppe Verdi3:41
6M’appari (Martha)
tenor vocals [Lionel]:
Luciano Pavarotti (tenor) (in 1973-05)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1973-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Martha: Atto II. “M’apparì tutt'amor” (Lionel) (in 1973-05)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt II. "Ach so fromm" (Lyonel)
Friedrich von Flotow3:30
7Amor ti vieta (Fedora)
tenor vocals [Loris]:
Jussi Björling (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Alberto Erede (conductor)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Umberto Giordano1:58
8Mi batte il cuor … O paradiso (L’Africaine)
tenor vocals:
Carlo Bergonzi (tenor) (in 1957)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1957)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso” (in 1957)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Giacomo Meyerbeer2:57
9Spirto gentil (La favorita)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Fernando]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
La favorita: Atto IV, Scena 3. “Favorita del re!” (Baldassarre, Fernando) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
Gaetano Donizetti5:30
10Pourquoi me réveiller (Werther)
tenor vocals:
Giuseppe Di Stefano (tenor)
orchestra:
Tonhalle-Orchester Zürich
conductor:
Franco Patanè (conductor)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:06
11Morgenlich leuchtend in rosigem Schein (Die Meistersinger von Nürnberg)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene II. "Grüß Gott, mein Junker!"
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner6:09
12O Dieu! De quelle ivresse (Les Contes d’Hoffmann)
recording of:
Les Contes d'Hoffmann: Acte III. "Vous me quittez ? ... Ô Dieu de quelle ivresse" (Giulietta, Hoffmann)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:01
13E lucevan le stelle (Tosca)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (on 1966-06-30)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (on 1966-06-30)
conductor:
Lorin Maazel (conductor) (on 1966-06-30)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1967)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (on 1966-06-30)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1966-06-30)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:10
14Recitar! … Vesti la giubba (Pagliacci)
tenor vocals [Canio]:
Mario Del Monaco (tenor) (in 1959-07)
orchestra:
Orchestra of the Academy of St Cecilia, Rome (in 1959-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1959-07)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio) (in 1959-07)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:40
15Di quella pira (Il trovatore)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:14
16Se quel guerrier … Celeste Aida (Aida)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor) (in 1957)
orchestra:
Orchestra dell’Accademia di Santa Cecilia (in 1957)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1957)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi5:02
17Recondita armonia (Tosca)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini3:10
18Una furtiva lagrima (L’elisir d’amore)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1971-06-28 until 1971-07-16)
orchestra:
English Chamber Orchestra (from 1971-06-28 until 1971-07-16)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06-28 until 1971-07-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06-28 until 1971-07-16)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1971-06-28 until 1971-07-16)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:51
19Cielo e mar! (La Gioconda)
tenor vocals [Enzo]:
Jussi Björling (tenor) (in 1959)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1959)
conductor:
Alberto Erede (conductor) (in 1959)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo) (in 1959)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:59
20Nessun dorma (Turandot)
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini52:59