Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

CD 1: Bach: Christmas Oratorio (Parts I-III)
CD 2: Bach: Christmas Oratorio (Parts IV-VI)
CD 3: Bach: St. Matthew Passion (Parts I & II beg.)
CD 4: Bach: St. Matthew Passion (Part II cont.)
CD 5: Bach: St. John Passion (Parts I & II beg.)
CD 6: Bach: St. John Passion (Part II cont.)
CD 7: Bach: Mass in B minor (Kyrie - Gloria)
CD 8: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
CD 9: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
CD 10: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
CD 11: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
CD 22: Beethoven: Symphonies nos. 1 & 2
CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
CD 25: Beethoven: Symphonies nos. 7 & 8
CD 26: Beethoven: Symphony no. 9 “Choral”
CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
CD 28: Beethoven: Piano Concertos nos. 3 & 4
CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
CD 31: Beethoven: Violin Concerto
CD 32: Beethoven: Missa solemnis
CD 33: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
CD 34: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
CD 35: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
CD 36: Interviews with John Eliot Gardiner
CD 37: Britten: War Requiem
CD 38: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
CD 39: Bruckner: Mass no. 1 / 5 Motets
CD 40: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
CD 41: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
CD 42: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
CD 43: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
CD 44: Handel: Acis and Galatea (Act I)
CD 45: Handel: Acis and Galatea (Act II)
CD 46: Handel: Hercules (Acts I & II beg.)
CD 47: Handel: Hercules (Acts II cont. & III)
CD 48: Haydn: The Creation (Parts I & II beg.)
#TitleArtistRatingLength
1Die Schöpfung, Hob. XXI:2: Erster Teil, Der erste Tag. 1. Largo. Die Vorstellung des Chaos
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: I. Die Vorstellung des Chaos (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:10
2Die Schöpfung, Hob. XXI:2: Erster Teil, Der erste Tag. 2. Rezitativ mit Chor: »Im Anfang schuf Gott Himmel und Erde« - »Und der Geist Gottes schwebte auf der Fläche der Wasser« (Raphael, Uriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (in 1995-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-02)
tenor vocals [Uriel]:
Michael Schade (tenor) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:59
3Die Schöpfung, Hob. XXI:2: Erster Teil, Der erste Tag. 3. Arie mit Chor: »Nun schwanden vor dem heiligen Strahle« - »Verzweiflung, Wut und Schrecken« (Uriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-02)
tenor vocals [Uriel]:
Michael Schade (tenor) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:39
4Die Schöpfung, Hob. XXI:2: Erster Teil, Der zweite Tag. 4. Rezitativ: »Und Gott machte das Firmament« (Raphael)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:54
5Die Schöpfung, Hob. XXI:2: Erster Teil, Der zweite Tag. 5. Chor mit Sopransolo: »Mit Staunen sieht das Wunderwerk« - »Und laut ertönt aus ihren Kehlen« (Gabriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-02)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: V. Solo mit Chor: Mit staunen sieht das Wunderwerk (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:01
6Die Schöpfung, Hob. XXI:2: Erster Teil, Der dritte Tag. 6. Rezitativ: »Und Gott sprach: Es sammle sich das Wasser« (Raphael)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:47
7Die Schöpfung, Hob. XXI:2: Erster Teil, Der dritte Tag. 7. Arie: »Rollend in schäumenen Wellen« (Raphael)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VII. Rollend in schäumenden Wellen (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:52
8Die Schöpfung, Hob. XXI:2: Erster Teil, Der dritte Tag. 8. Rezitativ: »Und Gott sprach: Es bringe die Erde Gras hervor« (Gabriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:35
9Die Schöpfung, Hob. XXI:2: Erster Teil, Der dritte Tag. 9. Arie: »Nun beut die Flur das frische Grün« (Gabriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grun (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:08
10Die Schöpfung, Hob. XXI:2: Erster Teil, Der dritte Tag. 10. Rezitativ: »Und die himmlischen Herrscharen verkündigten« (Uriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
tenor vocals [Uriel]:
Michael Schade (tenor) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:13
11Die Schöpfung, Hob. XXI:2: Erster Teil, Der dritte Tag. 11. Chor: »Stimmt an die Saiten«
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:56
12Die Schöpfung, Hob. XXI:2: Erster TeilDer vierte Tag. 12. Rezitativ: »Und Gott sprach: Es sei'n Lichter an der Feste des Himmels« (Uriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
tenor vocals [Uriel]:
Michael Schade (tenor) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:39
13Die Schöpfung, Hob. XXI:2: Erster TeilDer vierte Tag. 13. Rezitativ: »In vollem Glanze steiget jetzt die Sonne« (Uriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
tenor vocals [Uriel]:
Michael Schade (tenor) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:36
14Die Schöpfung, Hob. XXI:2: Erster TeilDer vierte Tag. 14. Chor mit Soli: »Die Himmel erzählen die Ehre Gottes« - »Dem Kommende Tage sagt es der Tag« (Gabriel, Uriel, Raphael)
recording engineer:
Stephan Flock (in 1995-02)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer) (in 1995-02)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (in 1995-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-02)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (in 1995-02)
tenor vocals [Uriel]:
Michael Schade (tenor) (in 1995-02)
orchestra:
The English Baroque Soloists (in 1995-02)
conductor:
John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (in 1995-02)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:52
15Die Schöpfung, Hob. XXI:2: Zweiter Teil, Der fünfte Tag. 15. Rezitativ: »Und Gott sprach: Es bringe das Wasser in der Fülle hervor« (Gabriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:28
16Die Schöpfung, Hob. XXI:2: Zweiter Teil, Der fünfte Tag. 16. Arie: »Auf starkem Fittiche schwinget sich der Adler stolz« (Gabriel)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn7:19
17Die Schöpfung, Hob. XXI:2: Zweiter Teil, Der fünfte Tag. 17. Rezitativ: »Und Gott schuf große Walfische« (Raphael)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn2:12
18Die Schöpfung, Hob. XXI:2: Zweiter Teil, Der fünfte Tag. 18. Rezitativ: »Und die Engel rührten ihr' unsterblichen Harfen« (Raphael)
recording engineer:
Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (in 1995-02)
orchestra:
English Baroque Soloists (in 1995-02)
conductor:
Sir John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (in 1995-02)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:19
19Die Schöpfung, Hob. XXI:2: Zweiter Teil, Der fünfte Tag. 19. Terzett mit Chor: »In holder Anmut stehn« - »Der Herr ist groß in seiner Macht« (Gabriel, Uriel, Raphael)
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn6:30
CD 49: Haydn: The Creation (Parts II cont. & III)
CD 50: Haydn: The Seasons (Spring - Summer)
CD 51: Haydn: The Seasons (Autumn - Winter)
CD 52: Grainger: The Warriors / Holst: The Planets
CD 53: Lehár: Die lustige Witwe
CD 54: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
CD 55: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
CD 56: Monteverdi: Vespro della Beata Vergine nos. 1-10
CD 57: Monteverdi: Vespro della Beata Vergine nos. 11-13
CD 58: Monteverdi: L'Orfeo (Prologue - Acts I & II)
CD 59: Monteverdi: L'Orfeo (Acts III-V)
CD 60: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
CD 61: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
CD 62: Monteverdi: L'incoronazione di Poppea (Act III)
CD 63: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
CD 64: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
CD 65: Mozart: Piano Concertos nos. 11, 12 & 13
CD 66: Mozart: Piano Concertos nos. 14, 15 & 18
CD 67: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
CD 68: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
CD 69: Mozart: Piano Concertos nos. 22 & 23
CD 70: Mozart: Piano Concertos nos. 24 & 25
CD 71: Mozart: Piano Concertos nos. 26 “Coronation” & 27
CD 72: Mozart: Idomeneo (Acts I & II beg.)
CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
CD 74: Mozart: Idomeneo (Act III cont.)
CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
CD 79: Mozart: Le nozze di Figaro (Act IV)
CD 80: Mozart: Don Giovanni (Act I beg.)
CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
CD 82: Mozart: Don Giovanni (Act II cont.)
CD 83: Mozart: Così fan tutte (Act I beg.)
CD 84: Mozart: Così fan tutte (Acts I cont. & II beg.)
CD 85: Mozart: Così fan tutte (Act II cont.)
CD 86: Mozart: La clemenza di Tito (Act I)
CD 87: Mozart: La clemenza di Tito (Act II)
CD 88: Mozart: Die Zauberflöte (Acts I & II beg.)
CD 89: Mozart: Die Zauberflöte (Act II cont.)
CD 90: Purcell: The Fairy Queen (Acts I-III)
CD 91: Purcell: The Fairy Queen (Acts IV & V)
CD 92: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
CD 93: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
CD 94: Schütz: 4 Motets and Songs / Musikalische Exequien
CD 95: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
CD 96: Schumann: Symphonies nos. 4 (original version) & 2
CD 97: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
CD 98: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
CD 99: Schumann: Das Paradies und die Peri (Parts II & III)
CD 100: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
CD 101: Stravinsky: The Rake's Progress (Acts I & II beg.)
CD 102: Stravinsky: The Rake's Progress (Acts II cont. & III)
CD 103: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
CD 104: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
CD 105: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]