Archiv Produktion Analogue Stereo Recordings 1959–1981

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1: Johann Sebastian Bach: Cantatas, Magnificat
CD 2: Nicolas-Marie Dalayrac, Pierre Vachon: String Quartets
CD 3: Johann Sebastian Bach: Inventions & Sinfonia
CD 4: Johann Sebastian Bach: Suites For Cello Solo Nos. 1–6
CD 5: Johann Sebastian Bach: Suites For Cello Solo Nos. 1–6
CD 6: Johann Sebastian Bach: Mass In B Minor 1
CD 7: Johann Sebastian Bach: Mass In B Minor 2
CD 8: George Fridric Handel: Music For The Royal Fireworks / Concerti A Due Cori
CD 9: Georg Philipp Telemann, Johann Christian Bach, Leopold Mozart, Michael Haydn: Concertos
CD 10: Jean-Philippe Rameau: Pigmalion
CD 11: Jean-Philippe Rameau: Music Of The Court Of Emperor Maximilian I
CD 12: Georg Philipp Telemann: Der Getreue Music-Meister = The Constant Music Master 1
CD 13: Georg Philipp Telemann: Der Getreue Music-Meister = The Constant Music Master 2
CD 14: Georg Philipp Telemann: Der Getreue Music-Meister = The Constant Music Master 3
CD 15: Georg Philipp Telemann: Der Getreue Music-Meister = The Constant Music Master 4
CD 16: F. X. Richter, Joseph Haydn, Michael Haydn, J. M. Molter: Trompetenkonzerte = Trumpet Concertos / Klarinettenkonzert = Clarinet Concerto
CD 17: Henry Purcell: Dido & Aeneas
#TitleArtistRatingLength
1Dido and Aeneas, Z.626: Overture
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Overture
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:38
2Dido and Aeneas, Z.626, Act 1: "Shake the cloud from off your brow"
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:14
3Dido and Aeneas, Z.626, Act 1: "Ah! Belinda"/"Grief increases"/"When monarchs unite"
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell5:26
4Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger"
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:51
5Dido and Aeneas, Z.626, Act 1: "See, your royal guest appears"/"Cupid only throws.."
alto vocals [Spirit]:
Paul Esswood (countertenor)
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:29
6Dido and Aeneas, Z.626, Act 1: "If not for mine, for empire's sake" ... "To the hills and the vales"
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:05
7Dido and Aeneas, Z.626, Act 1: The Triumphing Dance
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:03
8Dido and Aeneas, Z.626, Act 2: "Prelude for..."/"Harms our..."/"The Queen"/Ho, ho, ho"
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:38
9Dido and Aeneas, Z.626, Act 2: "Ruin'd ere the set of sun" ... "But ere we this perform"
contralto vocals [Second Witch]:
Margaret Lensky (contralto and composer)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:44
10Dido and Aeneas, Z.626, Act 2: "In our deep vaulted cell"
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:41
11Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:15
12Dido and Aeneas, Z.626, Act 2: Ritornelle: "Thanks to these lonesome vales" - Gitter Ground a Dance
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Gittar Ground a Dance (interstitial, unnumbered)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:24
13Dido and Aeneas, Z.626, Act 2: "Oft she visits"
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:45
14Dido and Aeneas, Z.626, Act 2: "Behold, upon my bending spear"/"Haste, haste to town"
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:22
15Dido and Aeneas, Z.626, Act 2: "Stay, Prince"
alto vocals [Spirit]:
Paul Esswood (countertenor)
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:02
16Dido and Aeneas, Z.626, Act 2: "Then since our charms have sped": "A Dance" - The Groves Dance
contralto vocals [Second Witch]:
Margaret Lensky (contralto and composer)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. The Groves Dance (unnumbered, end of Act II)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:47
17Dido and Aeneas, Z.626, Act 3: Prelude: "Come away, fellow sailors"
tenor vocals [First Sailor]:
Nigel Rogers (tenor)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:37
18Dido and Aeneas, Z.626, Act 3: The Sailors' Dance "See the flags and streamers curling"
contralto vocals [Second Witch]:
Margaret Lensky (contralto and composer)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:53
19Dido and Aeneas, Z.626, Act 3: "Our next motion": "Destructions's our delight"
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:21
20Dido and Aeneas, Z.626, Act 3: The Witches' Dance
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:24
21Dido and Aeneas, Z.626, Act 3: "Your counsel all is urg'd in vain": "Great minds against themselves conspire"
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:22
22Dido and Aeneas, Z.626, Act 3: "Thy hand, Belinda...When I am laid in earth"
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:48
23Dido and Aeneas, Z.626, Act 3: "With drooping wings...": Cupids´ Dance
orchestra:
Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Cupids’ Dance (interstitial, unnumbered, end of Act III)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell6:02
CD 18: Gregorianischer Choral = Gregorian Chant = Chant Grégorian
CD 19: Pasquini, Zipoli, Casini, Frescobaldi, Bencini, Porpora: Altitalienische Orgelmusik = Ancient Italian Organ Music = Musique Ancienne D'Italie Pour Orgue
CD 20: António Teixeira, Carlos De Seixas, Francisco António de Almeida: Portugaliae Musica - Motetten Des Barock Für Soli, Chor Und Instrumente = Motets Of The Baroque For Soloists, Choir And Instruments = Motets Dubaroque Pour Soloistes, Chœur Et Instruments
CD 21: Johann Sebastian Bach: Violinkonzerte = Violin Conceertos = Concertos Pour Violin BWV 1041 - 1043
CD 22: Heinrich Schütz: Psalmen Davids 1
CD 23: Heinrich Schütz: Psalmen Davids 2
CD 24: Gamelan Music From Bali
CD 25: Anon., Franz Schubert, Ignaz Moscheles, Joseph Lanner, Ludwig Van Beethoven, Michael Palmer: Wiener Tänze Des Biedermeier = Viennese Dances From The Biedermeier Period
CD 26: Anthony Holborne, Baruch Bulman, Daniel Batchelar, Francis Cutting, John Dowland, Robert Johnson, Thomas Morley: Renaissance Lute Music: Music For Lute I. England
CD 27: Claudio Monteverdi: L’Orfeo 1
CD 28: Claudio Monteverdi: L’Orfeo 2
CD 29: Luigi Cherubini: Complete String Quartets 1
CD 30: Luigi Cherubini: Complete String Quartets 2
CD 31: Luigi Cherubini: Complete String Quartets 3
CD 32: Franz Schubert: Arpeggione Sonata Etc.
CD 33: Anonymous, Léonin, Pérotin: Music Of The Gothic Era: Notre Dame / Ars Antiqua / Ars Nova 1
CD 34: Adam De La Halle, Anonymous, Bernard De Cluny, Guillaume De Machaut, Henri Gilles De Pusiex, Petrus De Cruce, Philippe De Vitry, Philippe Royllart: Music Of The Gothic Era: Notre Dame / Ars Antiqua / Ars Nova 2
CD 35: Hieronymus Vinders, Josquin Desprez, Nicolas Gombert: Missa “L’homme Armé” • Laments
CD 36: Dieterich Buxtehude, Samuel Scheidt, Vincent Lübeck: Organ Masters Before Bach 1
CD 37: Dieterich Buxtehude, Franz Tunder, Georg Böhm, Jan Pieterszoon Sweelinck, Nicolaus Bruhns, Samuel Scheidt, Vincent Lübeck: Organ Masters Before Bach 2
CD 38: Dieterich Buxtehude, Johann Pachelbel, Nicolaus Bruhns, Vincent Lübeck: Organ Masters Before Bach 3
CD 39: Carl Maria von Weber: Lieder = Songs
CD 40: Joseph Haydn: Trios For Baryton, Viola And Cello
CD 41: George Frideric Handel: Acis And Galatea 1
CD 42: George Frideric Handel: Acis And Galatea 2
CD 43: Johann Jacob Froberger: Keyboard Works / Lamentation Sur la Mort de Ferdinand III / 6 Suites For Harpsichord
CD 44: Johann Sebastian Bach: The Orchestral Suites (Overtures BWV 1066 - 1069)
CD 45: Johann Sebastian Bach: Das Musikalsiche Opfer = Musical Offering BWV · Kanons · Verschiedene canones
CD 46: Henry Purcell: Choral Works 1
CD 47: Henry Purcell: Choral Works 2
CD 48: Unico Wilhelm van Wassenaer: 6 Concerti Armonici (Formerly Attr. To Pergolesi)
CD 49: Alessandro Marcello: 6 Concerti "La Cetra"
CD 50: Annibale Padovano, Anon., Barbara Strozzi, Bastiano Chilese, Francesco Usper, Giovanni Gabrieli, Jacopo Peri, Nicolò Fontei: Battaglie E Lamenti

Credits

Release Group

includes:Bali: Gamelan Music From Sebatu by Gong Kebyar, Sebatu (unnamed gong kebyar from the village of Sebatu, Tegallalang, Bali)