Peter and the Wolf

~ Release by Prokofiev; Philadelphia Orchestra, Eugene Ormandy, David Bowie (see all versions of this release, 7 available)

Tracklist

▼ CD 1
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1Peter and the Wolf, op. 67: Introduction
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 1. Introduction (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev42:47
2Peter and the Wolf, op. 67: The Story Begins
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 2. The Story Begins (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev50:57
3Peter and the Wolf, op. 67: The Bird
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 3. The Bird (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:33
4Peter and the Wolf, op. 67: The Duck, Dialogue with the Bird, Attack of the Cat
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 4. The Duck; Dialogue With The Birds; Attack Of The Cat (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev44:13
5Peter and the Wolf, op. 67: Grandfather
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 5. Grandfather (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev42:14
6Peter and the Wolf, op. 67: The Wolf
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 6. The Wolf (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev42:01
7Peter and the Wolf, op. 67: The Duck Is Caught
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 7. The Duck Is Caught (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev40:53
8Peter and the Wolf, op. 67: The Wolf Stalks the Bird and the Cat
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 8. The Wolf Stalks The Bird And Cat (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:42
9Peter and the Wolf, op. 67: Peter Prepares to Catch the Wolf
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 9. Peter Prepares To Catch The Wolf (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:06
10Peter and the Wolf, op. 67: The Bird Diverts the Wolf
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 10. The Bird Diverts The Wolf (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:31
11Peter and the Wolf, op. 67: Peter Catches the Wolf
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 11. Peter Catches The Wolf (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:49
12Peter and the Wolf, op. 67: The Hunters Arrive
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 12. The Hunters Arrive (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:18
13Peter and the Wolf, op. 67: The Procession to the Zoo
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 13. The Procession To The Zoo (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev44:56
14The Young Person’s Guide to the Orchestra: Theme: Full Orchestra
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten40:29
15The Young Person’s Guide to the Orchestra: Theme: Woodwinds
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:22
16The Young Person’s Guide to the Orchestra: Theme: Brass
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten20:18
17The Young Person’s Guide to the Orchestra: Theme: Strings
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten20:17
18The Young Person’s Guide to the Orchestra: Theme: Percussion
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten20:14
19The Young Person’s Guide to the Orchestra: Theme: Full Orchestra
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten20:18
20The Young Person’s Guide to the Orchestra: Variation I: Flute, Piccolo (Presto)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:34
21The Young Person’s Guide to the Orchestra: Variation II: Oboes (Lento)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten40:59
22The Young Person’s Guide to the Orchestra: Variation III: Clarinets (Moderato)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:37
23The Young Person’s Guide to the Orchestra: Variation IV: Bassoons (Allegro alla marcia)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:56
24The Young Person’s Guide to the Orchestra: Variation V: Violins (Brilliante alla polacca)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten40:43
25The Young Person’s Guide to the Orchestra: Variation VI: Violas (Meno mosso)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:07
26The Young Person’s Guide to the Orchestra: Variation VII: Cellos
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:13
27The Young Person’s Guide To The Orchestra: Variation VIII: Doublebasses (Comminciando lento, Ma poco accel.)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:03
28The Young Person’s Guide to the Orchestra: Variation IX: Harp (Maestoso)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:44
29The Young Person’s Guide to the Orchestra: Variation X: French Horns (Il stesso tempo)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:39
30The Young Person’s Guide to the Orchestra: Variation XI: Trumpets (Vivace)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:33
31The Young Person’s Guide to the Orchestra: Variation XII: Trombones & Tuba (Allegro pomposo)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:09
32The Young Person’s Guide To The Orchestra: Variation XIII: Percussion (Moderato)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:55
33The Young Person’s Guide to the Orchestra: Fugue: Full Orchestra (Allegro molto)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten52:57
34Carnival of the Animals: Introduction
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:42
35Carnival of the Animals: Royal March of the Lion
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:22
36Carnival of the Animals: Hens and Cocks
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : II. Poules et coqs
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:50
37Carnival of the Animals: Wild Horses
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : III. Hèmiones (Animaux véloces)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:40
38Carnival of the Animals: Tortoises
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : IV. Tortues
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:42
39Carnival of the Animals: The Elephant
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : V. L'Éléphant
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
40Carnival of the Animals: Kangaroos
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VI. Kangourous
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:56
41Carnival of the Animals: Aquarium
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:25
42Carnival of the Animals: Personages with Long Ears
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:35
43Carnival of the Animals: The Cuckoo in the Depth of the Forest
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:11
44Carnival of the Animals: Aviary
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : X. Volière
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:20
45Carnival of the Animals: Pianists
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : XI. Pianistes
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:13
46Carnival of the Animals: Fossils
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : XII. Fossiles
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:19
47Carnival of the Animals: The Swan
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:49
48Carnival of the Animals: Finale
spoken vocals [narrator]:
Hugh Downs (American radio and television broadcaster)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : XIV. Finale
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:04

Credits

Release

part of:60+ (RCA Victor)
RCA Victor Basic 100 (number: 43) (order: 22)
ASIN:US: B000003FPB [info]