Eighties Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-20).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇭🇷 Croatia (hr) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-03-20 16:00 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Every Little Thing She Does Is Magic
engineer:
Hugh Padgham
co-producer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
piano:
Jean Roussel
vocals:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records (in 1981) and A&M Records, Inc. (in 1997)
recorded at:
Le Studio in Morin‐Heights, Québec, Canada
recording of:
Every Little Thing She Does Is Magic
lyricist and composer:
Sting (singer, songwriter & member of The Police)
The Police4.054:21
2Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross-Trevor (engineer)
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.754:02
3If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.654:00
4Don’t Dream It’s Over
producer:
Mitchell Froom
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and EMI Music Publishing Ltd. (PRS‐affiliated)
Crowded House3.93:58
5The Boys of Summer
engineer and mixer:
Niko Bolas and Greg Ladanyi
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Don Henley, Danny Kortchmar and Greg Ladanyi
electric bass guitar [bass]:
Larry Klein
guitar [guitars], percussion and synthesizer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
guitar synthesizer [synthesizer guitar]:
Danny Kortchmar
synthesizer:
Steve Porcaro
lead vocals:
Don Henley
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 209) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 416)
recording of:
The Boys of Summer
lyricist and composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Don Henley
Don Henley3.854:49
6Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and EMI America Records, Inc. (holding - file NO releases here!) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3.93:43
7Don’t You Want Me
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth))
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League43:58
8Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Phonogram Ltd. (in 1985) and Mercury Records Ltd. (not for release label use!) (in 2014)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
composer:
Mark Lettieri
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Virgin Music (Publishers) Ltd., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Tears for Fears44:12
9Valerie
recording of:
Valerie
writer:
Will Jennings and Steve Winwood
Steve Winwood4:07
10The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:54
11I Just Called to Say I Love You (single version)Stevie Wonder4.354:22
12Free Fallin’
engineer:
Bill Bottrell, Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Don Smith (producer, engineer and mixer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne and Tom Petty
12 string guitar, acoustic guitar, electric guitar, tambourine and lead vocals:
Tom Petty (from 1988 until 1989)
bass, guitar and keyboard:
Jeff Lynne (from 1988 until 1989)
drums (drum set) and percussion:
Phil Jones (Percussionist) (from 1988 until 1989)
guitar and keyboard:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
mandolin and slide guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (from 1988 until 1989)
background vocals:
Jeff Lynne (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recorded at:
M.C. Studios in Los Angeles, California, United States (from 1988 until 1989) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988 until 1989)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 177) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 219)
recording of:
Free Fallin’ (from 1988 until 1989)
writer:
Jeff Lynne and Tom Petty
publisher:
EMI April Music Inc. and Gone Gator Music (ASCAP affiliated)
Tom Petty44:16
13(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Shelly Yakus
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:40
14Up Where We Belong (from “An Officer and a Gentleman”)
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:53
15Alone
assistant engineer:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll and Toby Wright (producer & engineer)
engineer and producer:
Ron Nevison
bass guitar:
Mark Andes
drums (drum set):
Denny Carmassi
guitar:
Howard Leese
background vocals:
Howard Leese and Nancy Wilson (guitarist/singer of “Heart”)
lead vocals:
Ann Wilson (lead singer of Heart)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
music videos:
Alone by Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部, Billy Steinberg Music (from 1983 to present) and Denise Barry Music (from 1983 to present)
Heart3.553:39
16Come On EileenDexys Midnight Runners44:34
17I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
Bill Smith (US recording engineer) and George E. Tobin
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.853:49
18Word Up
part of:
TV Cream: Real 100 Best Singles Ever (number: 70)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:20
19Angel Eyes (Home and Away)
recording of:
Angel Eyes (Home & Away)
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
Wet Wet Wet5:17
20Mary’s Prayer
performer:
Danny Wilson (Scottish pop group) (in 1987)
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer. Ex-Danny Wilson, Ex-Transister, Ex-King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Danny Wilson33:55
21Alive and Kicking (edit)
producer:
Bob Clearmountain and Jimmy Iovine
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1985)
recording of:
Alive and Kicking
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Publishing Ltd.
Simple Minds3.54:49
22Oh Yeah!
engineer:
Rhett Davies
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Neil Jason (bassist)
drums (drum set):
Allan Schwartzberg
guitar:
Neil Hubbard and Phil Manzanera
keyboard and strings:
Paul Carrack
piano:
Bryan Ferry
saxophone:
Andy Mackay (of Roxy Music)
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1980), Virgin EG Records Ltd. (in 1980) and Virgin Records Ltd. (not for release label use!) (in 1980, in 1999)
recorded at:
Basing Street Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Gallery Studio (Chertsey, until 1997) in Chertsey, Surrey, England, United Kingdom
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Oh Yeah (Roxy Music)
lyricist and composer:
Bryan Ferry
publisher:
BMG Songs Ltd., Careers‐BMG Music Publishing, Inc., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1980)
Roxy Music34:51
23You’re the Best Thing
drums (drum set) [drums] programming:
Peter Wilson (UK Producer)
producer:
Paul Weller and Peter Wilson (UK Producer)
additional keyboard [keyboards] and bass synthesizer [bass synth]:
Mick Talbot (from 1983-10 until 1984-01)
guitar [guitars] and synthesizer [synths]:
Paul Weller (from 1983-10 until 1984-01)
vocals:
Mick Talbot (from 1983-10 until 1984-01) and Paul Weller (from 1983-10 until 1984-01)
additionally recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recording of:
You’re the Best Thing (from 1983-10 until 1984-01)
lyricist and composer:
Paul Weller
publisher:
BMG Music Publishing Ltd. and EMI Music Publishing (do not use as a release label!)
The Style Council25:41
24The Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (in 1986)
Chris de Burgh3.654:14
25Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use!) (in 1985, in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry44:26
26Heaven
recording engineer:
Bob Clearmountain (from 1983-06-06 until 1983-06-07)
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1983-06-16)
drums (drum set) [drums]:
Steve Smith (American drummer most associated with Journey) (from 1983-06-06 until 1983-06-07)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1983-06-06 until 1983-06-07)
guitar:
Keith (Canadian guitarist) (from 1983-06-06 until 1983-06-07)
keyboard [keyboards]:
Rob Sabino (from 1983-06-06 until 1983-06-07)
percussion and piano:
Bryan (Canadian singer/songwriter) (from 1983-06-06 until 1983-06-07)
lead vocals:
BA (Canadian singer/songwriter) (from 1983-06-06 until 1983-06-07)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1983, in 1984) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recorded at:
Power Station (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1983-06-06 until 1983-06-07)
mixed at:
Power Station (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (on 1983-06-16)
part of:
The Downloader’s Music Source Book (number: 166)
recording of:
Heaven (from 1983-06-06 until 1983-06-07)
written in:
West Vancouver, Vancouver, British Columbia, Canada (in 1983)
writer:
Bryan Adams (Canadian singer/songwriter) (in 1983) and Jim Vallance (in 1983)
publisher:
Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
Bryan Adams4.054:03
27Missing You
engineer and mixer:
David Thoener
drums (drum set):
Curly Smith (Jo Jo Gunne musician)
electric bass guitar [bass]:
Donnie Nossov
guitar:
Gary Myrick
keyboard:
Bruce Brody
percussion:
Steve Scales
lead vocals:
John Waite
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Everpop Songs, Markmeem Music (publisher), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), Paperwaite Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite3.754:30
28Endless Love (from “The Endless Love” soundtrack)
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing and Warner/Chappell North America
Lionel Richie3.54:25
29Song for Whoever (single version)
engineer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
acoustic guitar and electric guitar:
Dave Rotheray
bass guitar:
Sean Welch
drums (drum set):
David Stead
piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
vocals:
Paul Heaton and Dave Hemingway
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
Song for Whoever
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd.
The Beautiful South2.654:05
30Never Knew Love Like This Before
producer:
Reggie Lucas and James Mtume (jazz/funk musician)
strings arranger and wind instruments [Horn Arrangements] arranger:
Wade Marcus
vocals arranger:
Tawatha Agee, Reggie Lucas and James Mtume (jazz/funk musician)
phonographic copyright (℗) by:
20th Century-Fox Record Corporation (in 1977)
recorded at and mixed at:
Sigma Sound Studios (New York) in New York, New York, United States
recording of:
Never Knew Love Like This Before
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills5:29
31I Got You Babe
producer:
Ray “Pablo” Falconer and UB40
guest vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
performer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and UB40
produced at:
The Abattoir in Birmingham, West Midlands, England, United Kingdom
cover recording of:
I Got You Babe
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music and Cotillion Music (BMI)
UB40 feat. Chrissie Hynde2.753:10
32I Don’t Want a Lover
engineer:
Simon Vinestock
producer:
Tim Palmer (British producer/mixer)
bass:
Johnny McElhone
drums (drum set):
Stuart Kerr
guitar:
Giuliano Gizzi, Ally McErlaine (Scottish guitarist) and Sharleen Spiteri
harmonica:
Mark Fletman
keyboard:
Craig Armstrong (Scottish score composer) and Wix (UK / Paul Wickens)
background vocals:
Stuart Kerr and Sharleen Spiteri
publisher:
10 Music Ltd.
recording of:
I Don’t Want a Lover
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas3.255:01
33Stand
additional engineer:
Thom Cadley, George Cowan (US engineer) and Tom Laune
assistant engineer:
Jeff Kahan and Chris Laidlaw
engineer and mixer:
Jay Healy and Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1988) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
Stand
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.43:12